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The Nomi Song (2004) [N/A]

Release Date:
October 14, 2004

Original Title:
The Nomi Song

Alternate Titles:
A Canção de Nomi
Śpiewa Klaus Nomi
Песнь Номи
ノミ・ソング

Genres:
Documentary | Music

Production Companies:
ARTE
CV Films
Cameo Film- und Fernsehproduktion
Cameo Filmproduktion
Filmstiftung Nordrhein-Westfalen
ZDF

Production Countries:
Germany

Ratings / Certifications:
 N/A

Runtime: 98

He came from outer space to save the human race. Man or Martian? New wave or opera?

Overview from TheMovieDB

Looks like an alien, sings like a diva - Klaus Nomi was one of the 1980s' most profoundly bizarre characters to emerge through rock music: a counter tenor who sang pop music like opera and brought opera to club audiences and made them like it. The Nomi Song is a film about fame, death, friendship, betrayal, opera, and the greatest New Wave rock star that never was!

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Performers

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Production

Art Direction:
Ruth Peyser

Director:
Andrew Horn

Director of Photography:
Mark Daniels

Editor:
Eric Schefter
Angela Christlieb
Guido Krajewski

Line Producer:
Dietmar Post
Lucia Palacios

Music:
Richard Barone

Music Coordinator:
Richard Barone

Post-Production Manager:
Ole Landsjöaasen

Producer:
Anne Even
Annette Pisacane
Andrew Horn
Thomas Mertens

Producer's Assistant:
Achim Michael Hasenberg

Production Accountant:
Pimes Doerfler

Production Manager:
Lucia Palacios

Sound Designer:
Tom Blankenberg

Sound Re-Recording Mixer:
Tilo Busch

Thanks:
Lothar Lambert
Jimmy Somerville
Michael Schmid-Ospach
Dee Snider

Writer:
Andrew Horn

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.