A work in constant progress (and occasional regress).
Release Date:
March 11, 1976
Original Title:
Come una rosa al naso
Alternate Titles:
Cuidado que ela é Virgem
Eine Rose in der Nase
Enas entimotatos apateonas
Liebesgrüße aus Palermo
O Primo de Londres
Pure as a Lily
Verginità
Virginity
Virginité
Genres:
Comedy | Crime
Production Companies:
ITC Entertainment
Variety Film
Production Countries:
Italy | United Kingdom
Ratings / Certifications:
N/A
Runtime: 100
Anthony M. Wilson is an English gentleman. He has a string of restaurants in London plus a beautiful house decorated with all the trendy art he can get.
Assistant Camera:
Malcolm MacIntosh
Gianni Xaiz
Assistant Editor:
Brian Lintern
Assistant Production Design:
Gianni Giovagnoni
Boom Operator:
Bill Cook
Corrado Volpicelli
Camera Operator:
Enrico Sasso
Casting:
Weston Drury Jr.
Costume Design:
Massimo Lentini
Director:
Franco Rossi
Director of Photography:
Silvano Ippoliti
Editor:
Frederick Wilson
Executive Producer:
Bernard J. Kingham
First Assistant Director:
Nello Vanin
Bill Westley
Hairstylist:
Nicla Palombi
Makeup Artist:
Maurizio Giustini
Alan Brownie
Original Music Composer:
John Cameron
Producer:
Ugo Tucci
Production Design:
Giuseppe Mangano
Ken Bridgeman
Production Manager:
Franco Cuccu
Basil Rayburn
Production Secretary:
Valerio Zecca
Screenplay:
Vittorio Bonicelli
Roberto Lerici
Franco Rossi
Roberto Leoni
Script Supervisor:
Marjorie Lavelly
Seamstress:
Carmen Pericolo
Jean Fairlie
Sound:
John Bramall
Guido Ortenzi
Sound Editor:
Archie Ludski
Sound Mixer:
Ken Scrivener
Still Photographer:
Barrie Payne
Glauco Cortini
Story:
Ugo Tucci
Unit Manager:
Geoffrey Haine
Michael Murray
Francesco Fantacci
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.