Big & Little (2016) [N/A]

Featuring:
Mathias Gnädinger, Loïc Sho Güntensperger, Mitsuko Baishô

Written by:
Theo Plakoudakis
Marco Salituro

Directed by:
Stefan Jäger


Release Date:
January 28, 2016

Original Title:
Der grosse Sommer

Genres:
Adventure | Comedy

Production Companies:
tellfilm

Production Countries:
Switzerland

Ratings / Certifications:
CH: 6 

Runtime: 98

Toni Sommer (68) used to be the most popular and successful "Schwinger" of his time in Switzerland's traditional wrestling sport, but since the fatal accident of his opponent and best friend, he's been living anonymously and lonely in a suburb of Bern. His energy and his zest for life have left him, and the only friend he has is the grave of his former opponent. Hiro, a 10-year-old boy, disturbs Sommer's reclusiveness. He lives with his grandma one floor above Sommer's flat. Hiro is a short, thin boy who is a highly gifted student in school. However, Hiro wants only one thing - to become a great sumotori, a sumo wrestler. When his grandma dies unexpectedly, Hiro pleads the grumpy Sommer to take him to a sumo stall in his home country, Japan. Sommer is not interested, but he finally overcomes his initial resistance and accepts the deal. As soon as they arrive in Tokyo Sommer has to decide whether to engage in the boy's dream or to cancel the trip at an early stage, because he learns why the boy has chosen a Sumo school on an island in the far south of Japan - the boy's father used to be a student here and Hiro wants to follow in his footsteps. And so a journey starts from Tokyo across the country to a harbour city from where they will take the ferry to Amami Island. The film tells - in a humorous and touching way - the story about the struggle between the two unequal and different characters and how they finally become grandfather and grandson, developing a deep friendship.

Additional information:

The Search Form


Rankings and Honors

Big & Little (2016) on IMDb
Internet Movie Database 6.5/10

Director:
Stefan Jäger

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.