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Road to Perdition (2002) [R]

Release Date:
July 12, 2002

Original Title:
Road to Perdition

Alternate Titles:
Camino a la perdición
Cesta do zatracení
O Drómos tis Apóleias
Proklyatyy put'
Proklyatyy shlyakh
Put bez povratka
Pŭt kŭm otmŭshtenie
Veien til fortapelse
Əzab Yolu
جاده ای به تباهی

Genres:
Crime | Drama | Thriller

Production Companies:
20th Century Fox
DreamWorks Pictures
The Zanuck Company

Production Countries:
United States of America

Ratings / Certifications:
AR: +13  AU: MA15+  BR: 16  CA: 14A  CH: 14  CZ: 12+  DE: 16  DK: 15  ES: 16  FR: U  GB: 15  GR: 16  HU: 16  IE: 15  IT: T  JP: G  KR: 15  MX: B-15  MY: 18SG  NL: 16  NO: 15  NZ: R13  PL: 16  PT: M/12  RO: 18  RU: 16+  SE: 15  TW: 輔12  US: R  ZA: 16 

Runtime: 117

Pray for Michael Sullivan.

Overview from TheMovieDB

Mike Sullivan works as a hit man for crime boss John Rooney. Sullivan views Rooney as a father figure, however after his son is witness to a killing, Mike Sullivan finds himself on the run in attempt to save the life of his son and at the same time looking for revenge on those who wronged him.

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Performers

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Production

3D Supervisor:
Jeffrey Edward Baksinski

ADR Mixer:
Howard London

ADR Voice Casting:
Barbara Harris

Additional Casting:
Judith Bouley

Armorer:
Harry Lu

Art Department Assistant:
William Patterson

Art Department Coordinator:
Chris Cummings

Art Direction:
Richard L. Johnson

Assistant Art Director:
Ted Haigh
Jann K. Engel
Thomas Minton

Assistant Camera:
Chris Buzek

Assistant Chief Lighting Technician:
Ross Dunkerley

Assistant Costume Designer:
Marcy Grace Froehlich
Susan Kowarsh

Assistant Editor:
Lea Morement

Assistant Location Manager:
Martin L. Hudson

Assistant Makeup Artist:
Aimee Lippert

Assistant Production Coordinator:
Gabriela Ríos

Assistant Property Master:
Guillaume DeLouche

Assistant Sound Editor:
Carmen Flores De Tanis

Associate Producer:
Tara B. Cook
Cherylanne Martin

Best Boy Electric:
Chris Glomp

Best Boy Grip:
Fred Folmer

Boom Operator:
David M. Roberts

Camera Loader:
Matthew Haskins

Camera Operator:
P. Scott Sakamoto

Casting:
Debra Zane

Casting Assistant:
Pamela Lynn Thomas

Casting Associate:
Terri Taylor

Casting Consultant:
Mickie Paskal

Chief Lighting Technician:
Tom Stern

Choreographer:
Harrison McEldowney
Mark Howard

Color Timer:
Phil Hetos

Construction Coordinator:
Jeff Passanante

Construction Foreman:
James M. Davis

Costume Design:
Albert Wolsky

Costume Supervisor:
Robert Q. Mathews

Costumer:
Gretchen Gain

Craft Service:
Kathryn Madden

Dialect Coach:
Carla Meyer

Dialogue Editor:
Benjamin Beardwood
Gary Lewis

Director:
Sam Mendes

Director of Photography:
Conrad L. Hall

Dolly Grip:
Mike Schwake

Driver:
George Hartmann

Editor:
Jill Bilcock

Editorial Production Assistant:
Aaron Richmond

Electrician:
Cortland Boyd

Executive Music Producer:
Todd Homme

Executive Producer:
Joan Bradshaw
Walter F. Parkes

Extras Casting Assistant:
Jamie Biehl

First Assistant Accountant:
Kurt Greufe

First Assistant Camera:
Clyde E. Bryan

First Assistant Director:
K.C. Hodenfield

First Assistant Editor:
Dan Schalk
Celia Haining

Foley Artist:
Matthew Dettmann

Foley Editor:
Mark Pappas

Foley Mixer:
Lane Burch

Gaffer:
Rick Thomas

Graphic Novel:
Richard Piers Rayner
Max Allan Collins

Greensman:
Phillip Ellman

Grip:
Christopher Glasgow

Hairstylist:
Kathryn Blondell

In Memory Of:
Conrad L. Hall

Key Costumer:
Jennifer Jobst

Key Grip:
Kelly R. Borisy

Key Rigging Grip:
Gerald A. King

Leadman:
Daniel B. Clancy

Libra Head Technician:
Kelly Diehl

Location Assistant:
Melanie Cassidy

Location Manager:
Stephen Andrzejewski

Location Scout:
Carrie Goodman

Makeup Artist:
Daniel C. Striepeke

Music Consultant:
George Budd

Music Editor:
Bill Bernstein

Musician:
Chris Tedesco

Negative Cutter:
Gary Burritt

Orchestrator:
Thomas Pasatieri

Original Music Composer:
Thomas Newman

Painter:
Anthony Joseph Fatigato

Payroll Accountant:
Renee D. Czarapata

Picture Car Coordinator:
Bud Belyeu

Post Production Coordinator:
Sven E. Fahlgren

Post Production Supervisor:
Erica Frauman

Producer:
Dean Zanuck
Richard D. Zanuck
Sam Mendes

Production Accountant:
Kathryn Mindala

Production Assistant:
Chris Castaldi

Production Controller:
Jim Turner

Production Coordinator:
Dhana Gilbert

Production Design:
Dennis Gassner

Production Executive:
Steven R. Molen

Production Office Assistant:
Heather Sharpe

Production Secretary:
Michael Bender

Production Sound Mixer:
John Pritchett

Projection:
Brian Lunt

Property Master:
Doug Harlocker

Propmaker:
John J. Slove Jr.

Rigging Gaffer:
Vince Cordero

Rigging Grip:
James F. Roorda

Rotoscoping Artist:
Krystine Lankenau

Scoring Mixer:
Thomas Vicari

Screenplay:
David Self

Seamstress:
Jane Blank

Second Assistant Accountant:
James D'Damery Jr.

Second Assistant Camera:
Suzanne Trucks

Second Assistant Director:
Jeff Okabayashi

Second Second Assistant Director:
Steve Battaglia

Second Unit Director:
Doug Coleman

Set Costumer:
Heather Pollock
Patrick Caulfield

Set Decorating Coordinator:
Benjamin Nowicki

Set Decoration:
Nancy Haigh

Set Designer:
Kerry Sanders

Set Dresser:
Paige Augustine

Set Production Assistant:
Jill S. Litwin

Sound Editor:
Scott A. Hecker

Sound Effects Editor:
Jason W. Jennings

Sound Engineer:
Bill Banyai

Sound Re-Recording Mixer:
Bob Beemer
Scott Millan

Special Effects Coordinator:
Allen Hall

Special Effects Technician:
Thomas Kittle

Stand In:
Michael Clossin

Standby Painter:
Henry Schaub

Still Photographer:
François Duhamel

Stunt Coordinator:
Doug Coleman

Stunt Double:
Kim Kahana Jr.

Stunts:
Frank P. Calzavara

Supervising ADR Editor:
Joe Dorn

Supervising Sound Editor:
Scott A. Hecker

Swing:
Tom Gagnon

Technical Advisor:
Larry McCaffrey

Transportation Captain:
James Hogan

Transportation Co-Captain:
Joseph Paoletti

Transportation Coordinator:
Robert Neilson

Travel Coordinator:
Kyoko Kageyama

Unit Production Manager:
Michael J. Malone

Unit Publicist:
Amanda Brand

Utility Stunts:
Joey Box

Visual Effects Editor:
Paul Howarth

Visual Effects Producer:
Paul Clemente
Dennis Hoffman

Visual Effects Production Manager:
Tiffany Smith

Visual Effects Supervisor:
Michael L. Fink

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