A work in constant progress (and occasional regress).
Release Date:
January 27, 2017
Original Title:
iBoy
Alternate Titles:
iBoy:2017
ไอบอย
Genres:
Action | Science Fiction
Production Companies:
Pretty Pictures
Wigwam Films
XYZ Films
Production Countries:
United Kingdom
Ratings / Certifications:
BR: 16 DE: 16 DK: 15 GB: 15 PL: 16 RO: 18
Runtime: 90
After an accident, Tom wakes from a coma to discover that fragments of his smart phone have been embedded in his head, and worse, that returning to normal teenage life is impossible because he has developed a strange set of super powers.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Jono Moles
Camera Operator:
Russel Torode
Casting:
Elaine Grainger
Emma Gunnery
Costume Design:
Raquel Azevedo
Costume Supervisor:
Terry Herfield
Dialogue Editor:
Marc Specter
Director:
Adam Randall
Director of Photography:
Eben Bolter
Editor:
Jesse Parker
Foley:
Karolina Jedrzejczyk
Foley Editor:
Jamie Gamache
Gaffer:
Aaron Walters
Hair Designer:
Alexa Seabourne
Makeup Artist:
Doone Forsyth
Olivia Barningham
Music Supervisor:
Michelle De Vries
Novel:
Kevin Brooks
Original Music Composer:
Steffen Thum
Max Aruj
Producer:
Gail Mutrux
Lucan Toh
Nate Bolotin
Emily Leo
Oliver Roskill
Production Design:
Catrin Meredydd
Screenplay:
Joe Barton
Script Supervisor:
Gladys San Juan
Set Decoration:
Lucy Moles
Sound Designer:
Giovanni Bonelli
Udit Duseja
Sound Effects Editor:
Enos Desjardins
Simon Haupt
Sound Re-Recording Mixer:
Matteo Maranzana
Roland Heap
Special Effects Supervisor:
Alexander Gunn
Steadicam Operator:
James Rhodes
Still Photographer:
Luke Varley
Visual Effects Producer:
Danny Duke
Visual Effects Supervisor:
David Sadler-Coppard
Writer:
Mark Denton
Jonny Stockwood
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.