A work in constant progress (and occasional regress).
Release Date:
October 1, 2016
Original Title:
Love on a Limb
Genres:
Romance | TV Movie
Production Companies:
Front Street Pictures
Hallmark Media
Storybox Entertainment
The Mob Entertainment
Production Countries:
Canada | United States of America
Ratings / Certifications:
N/A
Runtime: 84
Aimie Roarke is always up for a cause and when the town’s beloved Oak tree is set to be cut down, she takes it upon herself try and save it. When the Mayor hires a handsome new landscaper to cut it down, she decides the only way to save the tree is to chain herself to it. As Kyle attempts to wait her out and the two start to spend more time together, they may find the Old Tree brings them both more than they could have imagined in life and love.
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"A" Camera Operator:
Russ Goozee
"B" Camera Operator:
Adrian Langley
Accountant:
Doreen Davis
Art Direction:
Damien McPhillips
Assistant Editor:
Devon Stackhouse
David Grave
Assistant Hairstylist:
Erin Heather
Assistant Location Manager:
Sean Parker
Assistant Makeup Artist:
Raechl Andre
Assistant Property Master:
Kyle Currie
Courtney Bell
Assistant Set Decoration:
Tara Burr
Assistant Sound Editor:
Sean Szutka
Best Boy Electric:
Steven F.S. Bruni
Best Boy Grip:
David Doldersum
Boom Operator:
Julien Desormeaux
Casting:
Penny Perry
Ron Leach
Mike Migliara
Casting Associate:
Arlene Antonio
Costume Designer:
Andy Tait
Costumer:
Jill Lerner
Craft Service:
Moe Mekieh
Dialogue Editor:
Roger Morris
Director:
Mel Damski
Director of Photography:
Russ Goozee
Editor:
Jason Dale
Executive Producer:
Ashley Williams
Neal Dodson
First Assistant "A" Camera:
Jesse Clark
First Assistant "B" Camera:
Diego Dias
First Assistant Accountant:
Marian Nowlan
First Assistant Director:
Emma Jean Sutherland
Foley Artist:
Don Harrison
Ian Mackie
Foley Recording Engineer:
Rick Senechal
Gaffer:
Larry Munn
Generator Operator:
Tony Plebon
Graphic Designer:
Erika Hille
Key Grip:
Zach Zohr
Key Hair Stylist:
Samnang Tep
Key Makeup Artist:
Anna Della Zazzera
Location Manager:
Ainslie S. Wiggs
Music:
Brent Belke
Music Supervisor:
Valerie Biggin
Sian O'Byrne
Online Editor:
Kipp Lightburn
Payroll Accountant:
Moru Zhang
Post Production Coordinator:
Sepideh Merchant
Nikki Lee
Post Production Supervisor:
Jason Macintyre
Producer:
Andrew C. Erin
Harvey Kahn
Production Accountant:
Ram Srinivasan
Production Controller:
Marnie Termuende
Production Design:
Rose Lagacé
Production Manager:
Hayden Baptiste
Production Sound Mixer:
Trevor Goulet
Property Master:
Keith Currie
Script Supervisor:
Michael Williams
Second Assistant "A" Camera:
Greg Drizhachenko
Second Assistant "B" Camera:
Caelan Benn
Second Assistant Director:
Michel Poirier
Set Decoration:
Megan Toompuu
Sound Designer:
Jeff Jackman
Sound Re-Recording Mixer:
Jeff Jackman
Angelo Nicoloyannis
Still Photographer:
Petr Maur
Stunt Coordinator:
Neil Davison
Third Assistant Director:
Kevin Kennedy
Transportation Captain:
Benjamin Curry
Transportation Coordinator:
Michael Pembroke
Visual Effects Supervisor:
Barry Liu
Wardrobe Assistant:
Deborah Ring
Zena Fares
Writer:
Jessica Scott
Erik Patterson
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.