A work in constant progress (and occasional regress).
Release Date:
March 1, 2017
Original Title:
Away from Everywhere
Genres:
Drama
Production Companies:
Mad Mummer Media
Morag Loves Company
Quiet Revolution Pictures
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 103
A struggling writer emerges from rehab and reunites with his estranged brother, but soon descends into a tragic love triangle and is forced to confront a devastating reality.
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Associate Producer:
Andrea Cooper
Best Boy Electric:
Victor Tilley
Best Boy Grip:
Micah Martin
Boom Operator:
Mark Neary
Casting:
Melissa A. Smith
Casting Assistant:
Rebecca L. Smith
Casting Associate:
Matthew J. Guthrie
Costume Design:
Marie J. Sharpe
Data Management Technician:
Aaron Elliott
Director:
Justin Simms
Director of Photography:
Scott McClellan
Editor:
Justin Simms
Electrician:
Heather Rumancik
Greg Davis
Conrad Layden
First Assistant Camera:
Mark O'Neill
First Assistant Director:
Terry Stone
First Assistant Editor:
Aaron Elliott
Gaffer:
Andrew Best
Generator Operator:
Mike Clarke
Grip:
Phil St. Aubin
Key Makeup Artist:
Andrew Squires
Location Assistant:
Justin A. Foley
Location Manager:
Zoe Balsom
Location Production Assistant:
Adam Tuck
Novel:
Chad Pelley
Producer:
Brad Gover
Barbara Doran
Michael Dobbin
Production Coordinator:
Christina Steele-Nash
Production Design:
Andrea Cooper
Shelley Cornick
Production Manager:
Lynne Wilson
Property Master:
Duane Chard
Props:
Liam Small
Public Relations:
Andrea Cooper
Publicist:
Andrea Cooper
Screenplay:
Mark Hoffe
Second Assistant Director:
Erin French
Set Dresser:
Gina Rae Anderson
Sound Mixer:
Peter Lopata
Sound Recordist:
Matthew Thomson
Still Photographer:
Duncan De Young
Third Assistant Director:
Jana Gillis
Visual Effects:
Thomas Thorne
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.