A work in constant progress (and occasional regress).
Release Date:
July 21, 2017
Original Title:
First Kill
Alternate Titles:
En Defensa Propia
First Kill - Gefährliche Jagd
首杀
Genres:
Action | Crime | Thriller
Production Companies:
Aboretum Productions
Brookstreet Pictures
EFO Films
Ingenious Media
Kirk Shaw Productions
Lionsgate Premiere
River Bay Films
The Fyzz
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
BE: 16 BR: 14 CA: R DE: 16 GB: 15 IT: VM14 JP: PG12 NL: 16 PL: 16 PT: M/14 SE: 15 US: R
Runtime: 97
A police chief tries to solve a kidnapping that involves a bank robber holding a young boy hostage.
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Art Department Coordinator:
Deborah Marsh
Art Direction:
Aaron Bautista
Best Boy Electric:
Jared Wilcox
Construction Coordinator:
Francis Link Boysie
Costume Design:
Bonnie Stauch
Costume Supervisor:
Isabel Mandujano
Director:
Steven C. Miller
Director of Photography:
Brandon Cox
Editor:
Thomas Calderon
Executive Producer:
Robert Jones
Gaffer:
Trenton McRae
Hairstylist:
Korrey Robinson
Key Costumer:
Heather Rae Miller
Key Grip:
James Selph
Key Hair Stylist:
Andrea Smith
Key Makeup Artist:
Erica Stewart
Lighting Technician:
Mathias Peralta
Makeup Department Head:
Karri Farris
Music Supervisor:
Ashley Waldron
Original Music Composer:
Ryan Franks
Scott Nickoley
Producer:
Mark Stewart
George Furla
Randall Emmett
Production Accountant:
John Semedik
Production Design:
Niko Vilaivongs
Property Master:
Janna Roach
Script Supervisor:
Nick DiRosa
Set Costumer:
Karmen Dann
Ludie Senatus
Set Decoration:
Lia Roldan
Special Effects Coordinator:
Ken Gorrell
Steadicam Operator:
Tarik Hameedi
Still Photographer:
Brian Douglas
Unit Publicist:
Hilda Somarriba
Visual Effects:
Sean Dunn
Andrew J. McKenzie
Keith Richner
Christopher Ryan Evans
Writer:
Nick Gordon
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.