A work in constant progress (and occasional regress).
Release Date:
April 28, 2000
Original Title:
Committed
Alternate Titles:
Nena, olvídame
Non Stop Girl
Una mujer comprometida
Genres:
Comedy | Drama
Production Companies:
Miramax
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 98
After her husband, Carl, suddenly leaves, Joline travels from New York to Texas to track him down. Although Joline tries to remain upbeat, she is discouraged when she discovers that Carl already has a new girlfriend, the lovely Carmen. Familiarizing herself with Carl's new home and friends, Joline gets company in the form of her brother, Jay. Will Joline win Carl back, or are there other romantic possibilities on her horizon?
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ADR Editor:
Lisa J. Levine
ADR Engineer:
Bobby Johanson
Additional Camera:
Romeo Tirone
Art Department Coordinator:
Sharon Winkler
Deborah Toms
Art Direction:
Timothy Whidbee
Dawn R. Ferry
Assistant Location Manager:
Erin Krueger
Patricia Ann Savino
Assistant Makeup Artist:
Diane Gidley
Assistant Sound Editor:
Eric McAllister
Ajae Clearway
Boom Operator:
Steve Jankowski
Dan Wesson
Camera Loader:
Flavin Judd
Camera Operator:
Richard Rutkowski
Casting:
Billy Hopkins
Suzanne Smith
Kerry Barden
Manuel Teil
Casting Associate:
Deborah Maxwell Dion
Mark Bennett
Jennifer McNamara
Chief Lighting Technician:
Newton TerMeer
Paul Daley
Bob Krebsbach
Co-Producer:
Guy J. Louthan
Color Timer:
Jim Passon
Construction Coordinator:
John Diaz
Costume Designer:
Beth Pasternak
Dialect Coach:
Larry Moss
Dialogue Editor:
Branka Mrkic
Dan Korintus
Director:
Lisa Krueger
Director of Photography:
Tom Krueger
Editor:
Curtiss Clayton
Colleen Sharp
Editorial Staff:
David O. Rogers
Executive Music Producer:
Randall Poster
Executive Producer:
Bob Weinstein
Harvey Weinstein
Jonathan Gordon
Amy Slotnick
Extras Casting:
Lori Eastside
Tyler Fahringer
First Assistant Camera:
Richard Rutkowski
Nils Benson
Jeb Byers
First Assistant Director:
Adam Escott
Ed Tarson
First Assistant Editor:
Perri Pivovar
Regan Avery
Foley:
George A. Lara
Foley Artist:
Marko Costanzo
Jay Peck
Foley Editor:
Tim O'Shea
Kam Chan
Key Hair Stylist:
Yvonne Puente
Key Makeup Artist:
Steve Artmont
Leadman:
Kathryn Powell
Billy Campbell
Line Producer:
Patrick Peach
Local Casting:
Barbara Montoya
Location Manager:
Jocelyn Jansons
Eric Fierstein
Makeup Artist:
Jason Rail
Music Consultant:
Jim Dunbar
Music Editor:
Mark Jan Wlodarkiewicz
Music Supervisor:
Stephen E. Smith
Original Music Composer:
Joey Burns
John Convertino
Post Production Coordinator:
Lila Yomtoob
Post Production Supervisor:
Victoria McGarry
Alyson Evans
Scott Citron
Producer:
Dean Silvers
Marlen Hecht
Production Coordinator:
Art Altounian
Michael Evans Jr.
David Price
Sharon Winkler
Production Design:
Sharon Lomofsky
Production Sound Mixer:
Robert Eber
Production Supervisor:
Adam Brightman
Property Master:
Scott Buckwald
Scoring Mixer:
Craig Schumacher
Script Supervisor:
Wendy Dallas
Susan Jasso
Catherine Jelski
Second Assistant Camera:
Nils Benson
Juan Priego
Second Assistant Director:
William Blyler
Annette Hobday
Second Second Assistant Director:
David Horowitz
Second Unit Director:
Guy J. Louthan
Second Unit Director of Photography:
Adam Beckman
Second Unit First Assistant Director:
Matthew R. Eyraud
Set Costumer:
Henley Green
Set Decoration:
Lisa Kent
Sound Editor:
Jac Rubenstein
Sound Effects Editor:
Michael W. Mitchell
Sound Mixer:
Tom Paul
Sound Re-Recording Mixer:
Leslie Shatz
Chris David
Steadicam Operator:
William Papp
Still Photographer:
John Johnson
Stunt Coordinator:
Mike Gunther
Supervising Sound Editor:
Tony Martinez
Swing:
John A. Gutierrez
Ricardo J. Diaz
Title Designer:
Charles McDonald
Unit Production Manager:
Susan V. McConnell
Giampaolo Debole
Wardrobe Supervisor:
Anna Abbey
Writer:
Lisa Krueger
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.