A work in constant progress (and occasional regress).
Release Date:
December 13, 2018
Original Title:
Mary Poppins Returns
Alternate Titles:
Le Retour de Mary Poppins
Mary Poppins el regreso
O Retorno de Mary Poppins
بازگشت مری پاپینز
欢乐满人间2
魔法保姆
Genres:
Comedy | Family | Fantasy
Production Companies:
Lucamar Productions
Marc Platt Productions
Walt Disney Pictures
Production Countries:
United States of America
Ratings / Certifications:
AT: 6 AU: G BR: L CZ: MP DK: A ES: APTA FR: U GB: U HU: KN IE: G IN: U JP: PG12 KR: ALL LT: N-7 NL: 6 NO: A NZ: G PT: M/6 RO: AP RU: 6+ SE: Btl SG: PG SK: 7 TW: 普遍級 US: PG
Runtime: 131
Mary Poppins returns to the Banks family and helps them evade grave dangers by taking them on magical, musical adventures.
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Aerial Camera:
Adam Sculthorp
Aerial Camera Technician:
Andrew Bradley
Animation Department Coordinator:
Brandon Brocker
Animation Manager:
Tyler Cordova
Animation Production Assistant:
Stasia Fong
Animation Supervisor:
Jim Capobianco
Eric Guaglione
Art Department Assistant:
Lottie McDowell
Grace Taylor
Art Department Coordinator:
Sarah Iovino
Art Direction:
Steve Carter
Simon Elsley
Vicki Stevenson
Elaine Kusmishko
Amanda Dazely
Assistant Art Director:
Sarah Ginn
Richard Hardy
Lauren Briggs-Miller
Assistant Costume Designer:
Oliver Garcia
Charlotte Law
Courtney McClain
Debbie Scott
Assistant Editor:
Alexander Johnson
Assistant Production Coordinator:
Monique Brown
Assistant Property Master:
Martin Kingsley
Best Boy Electrician:
Billy Gamble
CG Supervisor:
Jason Quintana
Camera Operator:
Damien Beebe
John Gamble
Carpenter:
James Cullane
Jeff Woodbridge
Casting:
Tiffany Little Canfield
Francine Maisler
Bernard Telsey
Casting Assistant:
Rachel Nadler
Casting Associate:
Conrad Woolfe
Sarah Trevis
Character Designer:
James Woods
Co-Producer:
Michael Zimmer
Angus More Gordon
Compositors:
Andrew Barry
Joshua Toonen
Russell Hopwood
Conceptual Illustrator:
Simon Gustafsson
Josue Clotaire Fleurimond
Conductor:
Paul Gemignani
Costume Coordinator:
Caroline Fallon
Costume Design:
Sandy Powell
Costume Supervisor:
Yvonne Duckett
David Davenport
Dialect Coach:
Jill McCullough
Digital Compositors:
Camille Paleni
Sam Horgan
Gabriel Naveau
Brock J. Stearn
Leo Pean de Ponfilly
Stephane Brisson
Patrick Hall
Jason Pethtel
Tracie Donais
Ricky Leach
Jorge Sanchez Fresno
Director:
Rob Marshall
Director of Photography:
Dion Beebe
Dolly Grip:
Alex Fraser
Jack Flemming
Draughtsman:
Jamie Burrows
Rosie Hardwick
Kira Kemble
Lotta Wolgers
Candice White
Dominique Pace
Driver:
Michael Kirkman
Rob Lloyd
Peter Trotman
Ted Leaning
David Rosenbaum Jr.
Clive Shaw
Emma Savin
Drone Operator:
Gareth Harfoot
Angus Benson-Blair
Dani Rose
Editor:
Wyatt Smith
Electrician:
Harry Langston
Executive Music Producer:
Michael Higham
Executive Producer:
Callum McDougall
First Assistant Camera:
Alan Hall
Tobias Eedy
David Cozens
David Penfold
Julian Bucknall
Harry Gamble
First Assistant Director:
Ben Howarth
First Assistant Editor:
Meagan Costello
Gaffer:
David Smith
Greensman:
Jake Corney
Bethany Spence
Jon Marson
Angus Hale
Hair Designer:
Peter King
Key Hair Stylist:
Paula Price
Key Makeup Artist:
Paula Price
Key Set Costumer:
Lara Newman
Carlos Fontanarrosa
Anthony Brookman
Lead Animator:
Brett Schroeder
Line Producer:
Amanda Barrios
Location Manager:
Charlie Hayes
Rob Campbell-Bell
Eleanor Downey
Ali James
Lyricist:
Marc Shaiman
Scott Wittman
Makeup Artist:
Tamsin Dorling
Georgie Whittle
Modeling:
Caitlin Murray Jones
Music Editor:
Jim Bruening
Lewis Morison
Music Supervisor:
Michael Higham
Paul Gemignani
Musician:
Mark Berrow
Steve Mair
Richard Pryce
Rachel Bolt
Roger Linley
Novel:
P.L. Travers
Orchestrator:
Jeff Atmajian
Michael Starobin
Original Music Composer:
Marc Shaiman
Post Production Supervisor:
Jennifer Lane
Producer:
Marc Platt
Rob Marshall
John DeLuca
John DeLuca
Production Accountant:
Susan Chika Anisiobi
Production Design:
John Myhre
Production Manager:
Callum McDougall
Hannah Godwin
Alex D. da Silva
Talia Felber
Stewart Probert
Production Office Assistant:
Taro Smith
Elliott Cobley
Production Sound Mixer:
Simon Hayes
Production Supervisor:
Bertie Spiegelberg
Property Master:
Ty Teiger
Publicist:
Rachel Kennedy
Rigging Supervisor:
Scott Hillier
Ben Wilson
Screenplay:
David Magee
Script Supervisor:
Lisa Vick
Second Unit Director:
Thomas Napper
Second Unit Director of Photography:
Alan Stewart
Security:
Luke Keeley
Set Costumer:
Anna Cavaliere
Ian Foweraker
Cynthia Black
Set Decorating Coordinator:
Claire Grainger
Set Decoration:
Gordon Sim
Set Dresser:
Laura Collins
Josh Sales
Songs:
Marc Shaiman
Special Effects:
Neil Toddy Todd
Special Effects Supervisor:
Robin Beavis
Steven Warner
Steadicam Operator:
Peter Robertson
Robert Stoneman
Still Photographer:
Jay Maidment
Story:
David Magee
John DeLuca
Rob Marshall
Storyboard Artist:
James S. Baker
Stunt Coordinator:
Mark Mottram
Stunt Double:
Jessica Hooker
Stunts:
Leo Keenan
Toby Oliver
Ian Pead
Gary Arthurs
Kieran Clarke
Paul Howell
Cristian Knight
Leo Woodruff
Nick Chopping
Daniel Dow
Annabelle Fordham
Gabriella Harman
Justin Pearson
George Kirby
Lucy Allen
Supervising Art Director:
Niall Moroney
Supervising Sound Editor:
Renée Tondelli
Tailor:
Mariette Hendriks
Third Assistant Director:
Grant Butler
Title Designer:
Garson Yu
Transportation Captain:
Phil Allchin
Transportation Coordinator:
Katerina Ruskova
Jeni Meredith
Unit Production Manager:
Angus More Gordon
VFX Supervisor:
Christian Kaestner
Jack Hughes
Christian Irles
Matt Johnson
Video Assist Operator:
Adam McGrady
Dominic Rau
Visual Effects:
Michael Huber
Visual Effects Coordinator:
Michelle Roll
Sara Woomer
Carolina Cedres
Zaid Babeel
Visual Effects Editor:
Shawn Broes
Maxime Sirven
Kent Blocher
Visual Effects Producer:
Leslie Lerman
Laurence Berkani
Visual Effects Technical Director:
Thomas Dotheij
Phoenix Woung-Bi Lee
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.