A work in constant progress (and occasional regress).
Release Date:
April 11, 2018
Original Title:
Beirut
Alternate Titles:
El Rehen
Ha'megasher
High Wire Act
The Negotiator
Бейрут
Точка невозврата [High Wire Act (2017)]
ביירות
贝鲁特
Genres:
Action | Drama | Thriller
Production Companies:
Good Universe
Radar Pictures
Shivhans Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BR: 12 DE: 12 ES: 12 GB: 15 IL: הותר לבני 12 ומעלה KR: 15 PL: 16 RO: 18 RU: 16+ US: R
Runtime: 109
In 1980s Beirut, Mason Skiles is a former U.S. diplomat who is called back into service to save a colleague from the group that is possibly responsible for his own family's death. Meanwhile, a CIA field agent who is working under cover at the American embassy is tasked with keeping Mason alive and ensuring that the mission is a success.
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Art Direction:
Teddy Setiawan
Ian Bailie
Casting:
Sheila Jaffe
Dixie Chassay
Costume Design:
Carlos Rosario
Director:
Brad Anderson
Director of Photography:
Björn Charpentier
Editor:
Andrew Hafitz
Executive In Charge Of Production:
Michael Dreher
Executive Producer:
Ted Field
Steven P. Saeta
First Assistant Director:
Ahmed Hatimi
Line Producer:
Karim Debbagh
Original Music Composer:
John Debney
Producer:
Tony Gilroy
Shivani Rawat
Monica Levinson
Mike Weber
Ted Field
Production Coordinator:
Widad Taha
Production Design:
Arad Sawat
Production Manager:
Steven P. Saeta
Property Master:
Salim Shehade
Second Assistant Director:
Yann Mari Faget
Sound Designer:
Lon Bender
Ruy García
Stunt Coordinator:
Othman Ilyassa
Stunts:
Younes Afroukh
Supervising Sound Editor:
Ruy García
Lon Bender
Visual Effects Supervisor:
Josh Saeta
Writer:
Tony Gilroy
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.