A work in constant progress (and occasional regress).
Release Date:
January 11, 2018
Original Title:
The Commuter
Alternate Titles:
Cudzinec vo vlaku
L'uomo sul treno
O Passageiro
The Commuter - Die Fremde im Zug
The Passenger
Пассажир
นรกใช้มาเกิด
トレイン・ミッション:2018
追命列車
通勤營救
Genres:
Action | Mystery | Thriller
Production Companies:
StudioCanal
TF1 Films Production
The Picture Company
Production Countries:
France | United States of America
Ratings / Certifications:
AT: 12 AU: M BR: 14 CH: 16 CZ: 18+ DE: 12 DK: 15 ES: 12 FR: U GB: 15 HU: 16 IE: 15A IT: T JP: G KR: 15 LT: N-13 NL: 12 PL: 12 PT: M/14 RU: 16+ SE: 15 SK: 15 US: PG-13
Runtime: 104
A businessman, on his daily commute home, gets unwittingly caught up in a criminal conspiracy that threatens not only his life but the lives of those around him.
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ADR Coordinator:
Mhairi Wyles-Lang
ADR Mixer:
George Atkins
Rob Davidsson
Simon Diggins
Aaron Southerland
Andy Welker
Mark DeSimone
ADR Recordist:
Ignacio Arrojo
Tyler Newhouse
Additional First Assistant Camera:
Malcolm A. Purnell
Additional Second Assistant Camera:
Pip White
Aerial Coordinator:
Lucia Foster Found
Aerial Director of Photography:
Adam Dale
Animation:
Lee Cashmore
Thomas Enjalbert
Sandra Guarda
Simon Irvine
Armorer:
Faujja Singh
Armory Coordinator:
Ben Rothwell
Matt Fyson
Art Department Assistant:
Helen Yates
Art Department Coordinator:
Sarah Iovino
Art Direction:
John King
Wing Lee
Assistant Art Director:
Kate Suzanne Hunter
David Weller
Renate Nicolaisen
Assistant Camera:
Drew Suppa
Assistant Costume Designer:
Charlotte Sewell
Assistant Property Master:
Hugh Fottrell
James Klotsas
Assistant Set Decoration:
Kimberley Fahey
Assistant Sound Editor:
Amy Felton
Best Boy Grip:
Gary Smith
CG Supervisor:
Sean Lewkiw
Luke Wilde
Camera Operator:
Tony Jackson
James Gucciardo
Thomas Lappin
Des Whelan
Camera Trainee:
Dante Connor
Carpenter:
Steven Law
Nick Lawrence
Nick Slater
Casting:
Reg Poerscout-Edgerton
Casting Assistant:
Tamsyn Manson
Benedict Minghella
Casting Associate:
Lillie Jeffrey
Compositing Artist:
Robin T. Brown
Brad Dunn
Prag Gargatte
Mike Holmes
James McCarthy
Finley McNeilage
Brad Roddy
Compositing Supervisor:
Nicolas Borens
Alex Webb
Concept Artist:
Tom Whitehouse
Construction Manager:
Robert Voysey
Costume Coordinator:
Philippa Wood
Costume Design:
Jill Taylor
Costume Designer:
Betsy Heimann
Costume Supervisor:
Tracy McGregor
Costumer:
Angel Concepcion
Daily Electrics:
Nicholas Clarke
Ryan Monteith
Dialect Coach:
Kara Tsiaperas
Digital Colorist:
Adam Glasman
Digital Compositor:
Michael Hedges
Stephane Brisson
Jean-Francois Burdin
Tracie Donais
Graham Dorey
Kai Gadd
Digital Effects Supervisor:
Zave Jackson
Digital Imaging Technician:
Tom Gough
Edward Viola
Quentin Brown
Digital Intermediate:
Rob Farris
Patrick Malone
Neil Harrison
Digital Intermediate Assistant:
Georgina Cranmer
Lawrence Hook
Maria Chamberlain
Charlotte Barnes
Karolina Dziwinska
Director:
Jaume Collet-Serra
Director of Photography:
Paul Cameron
Editor:
Nicolas De Toth
Electrician:
Wailoon Chung
Matt Jackman Smith
Matt Markham
Mike Parsons
Jordan Perry
Greg Whitbrook
Executive Producer:
Jaume Collet-Serra
Yu Dong
Fight Choreographer:
Roy Taylor
First Assistant "A" Camera:
Max Glickman
First Assistant "B" Camera:
Gavin Fernandez
First Assistant "C" Camera:
Leigh Gold
First Assistant Camera:
René Adefarasin
David Cozens
Francesco Ferrari
First Assistant Director:
Alex Oakley
Richard Whelan
First Assistant Editor:
Jeremy Richardson
Tom Davis
Foley:
Sophia Hardman
Foley Artist:
Sue Harding
Foley Editor:
Hugo Adams
Foley Mixer:
Adam Mendez
Gaffer:
Mark Clayton
Graphic Designer:
Barry Gingell
Greensman:
Richard Rowntree
Grip:
John Patrick Oates
Hair Designer:
Noriko Watanabe
Hair Supervisor:
Wakana Yoshihara
Health and Safety:
Daniel Rogers
Key Grip:
Paul Hymns
Key Makeup Artist:
Dana Kalder
Lead Animator:
Peter Clayton
Paul Lee
Brett Schroeder
Libra Head Technician:
Vinnie Laraway
Lighting Technician:
Genki McClure
Dick Conway
Ryan Huffer
Loader:
Ross Citrin
Main Title Designer:
Marcelo Altino Garcia
Makeup & Hair:
JoJo Williams
Sue Wyburgh
Makeup Department Head:
Sunday Englis
Makeup Designer:
Noriko Watanabe
Makeup Supervisor:
Wakana Yoshihara
Modeling:
Grahame Curtis
Wenceslao Herrera Garcia
Andrew Leighton
Music Consultant:
Phil Canning
Music Coordinator:
Tessy Díez
Music Editor:
Graham Sutton
John Warhurst
Anele Onyekwere
Music Programmer:
Marcus Fong
Juan Carlos Enriquez
Online Editor:
Daniel Tomlinson
Original Music Composer:
Roque Baños
Pilot:
Miles A. Fletcher
Post Production Accountant:
Malissa Hallenbeck
Pre-Visualization Supervisor:
Mark Brown
Producer:
Andrew Rona
Alex Heineman
Production Assistant:
Max Mason
Anna Hintzen
Production Design:
Richard Bridgland
Production Secretary:
Maria Ana D. Dias
Production Sound Mixer:
Jim Greenhorn
Daniel McIntosh
Prop Maker:
Joe Birdsey
Property Buyer:
Dorothy Sullivan
Property Master:
Paul Purdy
Props:
Christopher Donovan
Nathan Payne
Roy Rookes
Toby Russell
Researcher:
Anna Livia Cullinan
Rigging Gaffer:
James Summers
Roto Supervisor:
Richard Sowerby
Script Supervisor:
Irene Chawko
Carole Taylor
Second Assistant "A" Camera:
James Paul Thomas
Ben Casciello Rogers
Second Assistant "B" Camera:
Ben Adefarasin
Second Assistant "C" Camera:
Nicholas Koda
James Perry
Second Assistant Camera:
Sarah Guenther
Christopher Starkey
Second Assistant Director:
Gayle Dickie
Sandrine Loisy
Tom Mulberge
Bryn Lawrence
Second Unit Director of Photography:
Marc Spicer
Senior Animator:
Luca Cantani
Set Costumer:
Oliver Southall
Linda O'Reilly
Cara Stevens
Emily Thomson
Set Decoration:
Tina Jones
Set Dresser:
Noel Godfrey
Luke Townshend
Set Production Assistant:
Eloise Loach
Phoebe Young
Ellysha Eglon-Smith
Sound Effects Editor:
Tom Sayers
Sound Mix Technician:
James Cassidy
Sound Mixer:
Shaun Mills
Sound Re-Recording Mixer:
Chris Burdon
Gilbert Lake
Special Effects Assistant:
Hayden Sheridan
Dan Vico
Special Effects Supervisor:
Stefano Pepin
Jason McCameron
Special Effects Technician:
Florin Daniel Catrinoiu
Szilard Gergely
Rupert Morency
Ronnie Rackley
Standby Art Director:
Pierre Farinole
Standby Carpenter:
Adam Shepherdly
Still Photographer:
Jay Maidment
Kevin Baker
Myles Aronowitz
Story:
Byron Willinger
Philip de Blasi
Storyboard Artist:
Graeme Callander
Stunt Coordinator:
Mark Vanselow
Stunt Double:
Aja Frary
Casey Michaels
Claire Lawrence
Karanja Yorke
Neil Chapelhow
Rick English
Mens-Sana Tamakloe
Stunt Driver:
Roy Farfel
Stunts:
Matt Crook
Supervising ADR Editor:
Steve Little
Supervising Armorer:
Adam Goodall
Supervising Dialogue Editor:
Steve Little
Supervising Sound Editor:
James Harrison
Textile Artist:
Kaniez Braganza
Kate Lawson
Title Designer:
Kyle Cooper
David Penn
Ultimate Arm Operator:
Michael Nelson
Unit Manager:
Richard Ruck
VFX Artist:
Sohrab Esfehani
Stuart Gardiner
Marco Lee
Jonty Smith
VFX Director of Photography:
Alan Stewart
VFX Editor:
Simon Burchell
Billy A. Campbell
Steve Pang
Kieran Waller
Christopher Learmonth
Michael Michaud
Pablo Perugorria
Maxime Sirven
Andy Stevens
VFX Lighting Artist:
Ian Allard
Sebastien Beaulieu
Guy Boudreau
Julien Fradin
Nikos Gatos
Laurent Makowski
Ravinder Sembi
Ben Thomas
Jonathan Vuillemin
Visual Effects Coordinator:
Melody Alasset
Alexander Maldoff
Erin Anderson
Pilar Cubría
Melanie Murray
Gareth Pearce
Matina Skouteri
Katia Muscariello
Visual Effects Producer:
Fiona Foster
Rupert Smith
Ami Yamauchi
Audrey Boivin
Ciarán Keenan
Linda Luong
Visual Effects Production Assistant:
Maryah Azzuolo
Visual Effects Production Manager:
Mara Fröhlich
Visual Effects Supervisor:
Steven Begg
Adam Rowland
Stephane Paris
Visual Effects Technical Director:
Thibaut Breton
Wardrobe Master:
Marco de Magalhães
Wardrobe Supervisor:
Renee Mariotti
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.