A work in constant progress (and occasional regress).
Release Date:
November 1, 2019
Original Title:
The Irishman
Alternate Titles:
Airisshu man
El irlandés
Ha'Irri
I Heard You Paint Houses
Irlandczyk
O Irlandós
Genres:
Crime | Drama | History
Production Companies:
Sikelia Productions
Tribeca Productions
Winkler Films
Production Countries:
United States of America
Ratings / Certifications:
AU: MA 15+ BR: 16 DE: 16 DK: 15 ES: 16 FI: K-16 FR: 16 GB: 15 HU: 16 IE: 16 IT: T KR: 18 NL: 16 PL: 16 PT: M/16 RO: 18 RU: 18+ SE: 15 SG: M18 US: R
Runtime: 209
Pennsylvania, 1956. Frank Sheeran, a war veteran of Irish origin who works as a truck driver, accidentally meets mobster Russell Bufalino. Once Frank becomes his trusted man, Bufalino sends him to Chicago with the task of helping Jimmy Hoffa, a powerful union leader related to organized crime, with whom Frank will maintain a close friendship for nearly twenty years.
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"A" Camera Operator:
P. Scott Sakamoto
Assistant Art Director:
Benjamin K. Cox
Best Boy Electric:
Robert Vuolo
Best Boy Grip:
Todd Giresi
Book:
Charles Brandt
Boom Operator:
Jerry Yuen
CG Supervisor:
Ben Shepherd
Casting:
Ellen Lewis
Clapper Loader:
Carolyn Wills
Ross Citrin
Co-Producer:
Marianne Bower
David Webb
Compositing Supervisor:
Nelson Sepulveda
Costume Design:
Sandy Powell
Costume Designer:
Christopher Peterson
Costume Supervisor:
David Davenport
Digital Imaging Technician:
Matthew Selkirk
Director:
Martin Scorsese
Director of Photography:
Rodrigo Prieto
Dolly Grip:
Shahen Guiragossian
Editor:
Thelma Schoonmaker
Executive Music Producer:
Robbie Robertson
Executive Producer:
Jai Stefan
Niels Juul
Richard Baratta
Berry Welsh
Rick Yorn
Tyler Zacharia
Nicholas Pileggi
George Furla
Chad A. Verdi
First Assistant "A" Camera:
Trevor Loomis
First Assistant "B" Camera:
Ethan Borsuk
First Assistant Director:
David Webb
Foley Artist:
Marko Costanzo
Gaffer:
William O'Leary
Hair Department Head:
Sean Flanigan
Key Grip:
Tom Prate
Makeup Department Head:
Nicki Ledermann
Music Supervisor:
Randall Poster
Original Music Composer:
Robbie Robertson
Playback Coordinator:
Michael Sime
Producer:
Emma Tillinger Koskoff
Randall Emmett
Irwin Winkler
Jane Rosenthal
Robert De Niro
Martin Scorsese
Troy Allen
Gastón Pavlovich
Gerald Chamales
Gabriele Israilovici
Production Controller:
Joan Altman
Production Design:
Bob Shaw
Production Office Coordinator:
John DeSimone
Property Master:
Joel Weaver
Prosthetic Designer:
Mike Marino
Rigging Gaffer:
Louis Petraglia
Screenplay:
Steven Zaillian
Script Supervisor:
Jessica Lichtner
Second Assistant "A" Camera:
Anthony Coan
Second Assistant "B" Camera:
Brendan K. Russell
Second Assistant Director:
Jeremy Marks
Francisco Ortiz
Second Unit Director:
G. A. Aguilar
Second Unit Director of Photography:
Lukasz Jogalla
Set Decoration:
Regina Graves
Sound Mixer:
Tod A. Maitland
Sound Re-Recording Mixer:
Eugene Gearty
Tom Fleischman
Special Effects Supervisor:
Jeff Brink
Steadicam Operator:
P. Scott Sakamoto
Still Photographer:
Niko Tavernise
Stunt Coordinator:
Victor Paguia
G. A. Aguilar
Peter Epstein
Blaise Corrigan
Stunt Double:
Aaron Vexler
Stunts:
Tina Mckissick
Chris Cenatiempo
Supervising Art Director:
Laura Ballinger
Supervising Sound Editor:
Eugene Gearty
Philip Stockton
Unit Production Manager:
Carla Raij
John A. Machione
Utility Sound:
Terence McCormack Maitland
Video Assist Operator:
Devin Donegan
Alexander J. Nobbs
Andrew Cavagnet
Visual Effects Producer:
Mitchell Ferm
Visual Effects Supervisor:
Pablo Helman
Stephane Grabli
Leandro Estebecorena
Ivan Busquets
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.