A work in constant progress (and occasional regress).
Featuring:
Juanita Abernathy, Bernard Lafayette, John Lewis
Written by:
Kathleen Dowdey
Directed by:
Kathleen Dowdey
Release Date:
June 25, 2017
Original Title:
Get In The Way: The Journey of John Lewis
Alternate Titles:
John Lewis: Get in the Way
Genres:
Documentary
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 60
Biographical documentary about John Lewis, the civil rights icon, respected legislator and elder statesman who continues to practice nonviolence in his determined fight for justice.
In 1965, the historic Selma March known as Bloody Sunday was a turning point in the Civil Rights Movement. John Lewis-now a revered U.S. Congressman, then a young student-co-led hundreds of peaceful marchers seeking voting rights for African Americans in the South. When they came face to face with a wall of club-wielding Alabama state troopers, Lewis took a steadfast, non-violent stand and inspired his followers to do the same. Graphic depictions of the ensuing assault were televised on the nightly news and shocked Americans to the core as they witnessed blatant racial oppression. Get in the Way is the first documentary film biography about Lewis, the civil rights icon, respected legislator and elder statesman who continues to practice nonviolence in his determined fight for justice. The film is a riveting portrayal of John Lewis' personal journey of courage, searing disappointments and hard-won triumphs, as over the decades he inspires others to stand up and Get in the Way.
Co-Producer:
Karen Elizabeth Price
Jim Carr
Consulting Producer:
Donna Brown Guillaume
Director:
Kathleen Dowdey
Director of Photography:
Charles Schner
Editor:
Lillian Benson
Bill Woolery
Executive Producer:
Chas. Floyd Johnson
Original Music Composer:
Camara Kambon
Producer:
Kathleen Dowdey
Writer:
Kathleen Dowdey
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.