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Stan & Ollie (2018) [PG]

Release Date:
December 28, 2018

Original Title:
Stan & Ollie

Alternate Titles:
Helan och Halvan
Stan and Ollie
Stan und Ollie
Stanlio & Ollio
Stanlio e Ollio
Χοντρός & Λιγνός
스탠 앤 올리

Genres:
Comedy | Drama

Production Companies:
BBC Film
Baby Cow Productions
Entertainment One
Entertainment One Features
Fable Pictures
Sierra/Affinity
Sonesta Films
Sony Pictures Classics

Production Countries:
Canada | United Kingdom | United States of America

Ratings / Certifications:
AU: PG  BR: 14  CH: 6  DK: 7  ES: APTA  FI: K-7  FR: U  GB: PG  GR: K  IE: PG  JP: G  NL: 9  NZ: PG  SE: 15|Btl  US: PG 

Runtime: 98

The untold story of the world's greatest comedy act.

Overview from TheMovieDB

With their golden era long behind them, comedy duo Stan Laurel and Oliver Hardy embark on a variety hall tour of Britain and Ireland. Despite the pressures of a hectic schedule, and with the support of their wives Lucille and Ida – a formidable double act in their own right – the pair's love of performing, as well as for each other, endures as they secure their place in the hearts of their adoring public

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Performers

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Production

Art Direction:
David Hindle
Astrid Sieben

Assistant Art Director:
Charlotte Hutchings

Assistant Costume Designer:
Sophie O'Neill

Assistant Set Decoration:
Gordon Grant

Assistant Set Designer:
Gary Bunn

Assistant Unit Manager:
Chris Barnett

Book:
'A.J.' Marriot

Camera Operator:
Nick Gillespie

Carpenter:
Frank Collins

Casting:
Andy Pryor

Casting Associate:
Ri McDaid-Wren

Co-Producer:
Jim Spencer

Construction Manager:
Jo Hawthorne

Costume Design:
Guy Speranza

Costume Supervisor:
Annie Crawford

Development Producer:
Saurabh Kakkar

Dialect Coach:
Eleanor Boyce

Dialogue Editor:
Linda Forsén

Director:
Jon S. Baird

Director of Photography:
Laurie Rose

Draughtsman:
Olly Williams

Editor:
Billy Sneddon
Úna Ní Dhonghaíle

Electrician:
Jerdan Taylor
Danny O'Brien
Jack Wakefield

Epk Camera Operator:
Edward Bishop

Epk Producer:
Jo Farrugia

Executive Producer:
Andy Harries
Xavier Marchand
Nichola Martin
Gabrielle Tana
Joe Oppenheimer
Eugenio Pérez
Kate Fasulo
Jeff Pope
Christine Langan

First Assistant Camera:
Kim Vinegrad

First Assistant Director:
Stephen Carney

First Assistant Editor:
George Adams

Floor Runner:
Amy Hogarth
Charlotte Smith

Foley Editor:
Mathias Schuster

Foley Mixer:
Keith Partridge

Foley Supervisor:
Barnaby Smyth

Gaffer:
Barry Conroy

Graphic Designer:
Joanna Pratt

Hair Designer:
Jeremy Woodhead

In Memory Of:
Lois Laurel

Key Costumer:
Helen Ingham

Key Grip:
Kevin Foy

Makeup & Hair:
Jeremy Woodhead
Anita Brolly
Luca Saccuman

Makeup Designer:
Jeremy Woodhead

Music Editor:
Al Green

Music Supervisor:
Karen Elliott

Original Music Composer:
Rolfe Kent

Post Production Coordinator:
Robert Platt-Higgins

Post Production Supervisor:
Louise Seymour

Producer:
Faye Ward

Production Accountant:
Maxine Stanley

Production Design:
John Paul Kelly

Production Secretary:
Valentina Romano

Property Master:
Rob MacPherson

Prosthetic Designer:
Mark Coulier

Prosthetic Makeup Artist:
Josh Weston

Script Supervisor:
Lucy Ward

Second Assistant Camera:
Jonny Stillwell

Second Assistant Director:
Zoe Smith
Sarah MacFarlane

Set Decoration:
Claudia Parker

Set Medic:
Caroline Buckley

Sound Recordist:
Danny Hambrook

Special Effects Supervisor:
Chris Reynolds

Steadicam Operator:
Vince McGahon

Still Photographer:
Aimee Spinks

Storyboard Artist:
John Colebourn
Dan Maslen

Stunt Coordinator:
James O'Donnell
Abbi Collins

Supervising Art Director:
David Hindle

Supervising Sound Editor:
Paul Cotterell

Thanks:
Stan Laurel
Oliver Hardy
Rafe Spall

Third Assistant Director:
Liam Shaw

Unit Manager:
Bobby Prince

Unit Production Manager:
Louise Killin

VFX Editor:
Andrew Corsi

Writer:
Jeff Pope

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.