A work in constant progress (and occasional regress).
Release Date:
January 5, 2001
Original Title:
Non ho sonno
Alternate Titles:
Insônia
Nonhosonno
Sangue de Inocentes
Genres:
Horror | Mystery | Thriller
Production Companies:
Medusa Film
Opera Film (II)
Tele+
Production Countries:
Italy
Ratings / Certifications:
DE: 16 IT: VM14 US: R
Runtime: 117
An elderly and retired police detective and a young amateur sleuth team up to find a serial killer whom has resumed a killing spree in Turin, Italy after a 17-year hiatus.
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Accountant:
Erika Taloni
Maria Rita Gagliano
Actor's Assistant:
Catherine Brelet
Administration:
Marcello Lanza
Assistant Costume Designer:
Patrizia Bernardini
Paola Ronco
Assistant Director Trainee:
Riccardo Cannone
Assistant Editor:
Alessandro Di Cola
Maria Cristina Marra
Assistant Foley Artist:
Piergiorgio De Luca
Assistant Production Design:
Sabrina Dassano
Chiara Alessio
Gloria Saya
Assistant Property Master:
Amaranta Flagelli
Enrico Mandirola
Pasquale Scognamiglio
Mauro Franco
Flavio De Simone
Assistant Set Decoration:
Maria Castrovilli
BTS Videographer:
Catherine Brelet
Cedric Brelet von Sydow
Boom Operator:
Alessandro Pambianco
Camera Operator:
Roberto Brega
Casting:
Lorella Chiapatti
Chiara Moretti
Costume Design:
Susy Mattolini
Digital Compositor:
Elena Angeletti
Gabriele Zuppardo
Director:
Dario Argento
Director of Photography:
Ronnie Taylor
Driver:
Emidio Prioletta
Massimo Giovanetti
Dario Di Gioia
Pietro Rutigliano
Giuseppe Abatangelo
Riccardo Altobelli
Vincenza Trentanelli
Fernando Meluzzi
Cristiano Sergioli
Roberto De Persio
Editor:
Anna Rosa Napoli
Electrician:
Gianfranco Soro
Mirco Fincato
Emanuele Miroglio
Fiore Beltrame
Antonio Marchese
Executive Producer:
Claudio Argento
Extras Casting:
Sara Busto
First Assistant Camera:
Ezio Gamba
Alessandro Gentili
First Assistant Director:
Giulietta Revel
Foley Artist:
Alvaro Gramigna
Tullio Arcangeli
Gaffer:
Stefano Marino
Generator Operator:
Marcello Colaciello
Benvenuto Pedron
Grip:
Antonio Ascione
Saverio Moggio
Angelo Pace
Leandro Pagano
Andrea Arnaud
Enrico Lovato
Hairstylist:
Samankta Mura
Key Grip:
Enzo Pontil
Key Hair Stylist:
Massimo Gattabrusi
Key Makeup Artist:
Alfredo Marazzi
Line Producer:
Tommaso Calevi
Makeup Artist:
Graziella Tosti
Master at Arms:
Riccardo Mioni
Modeling:
Gabriele Zuppardo
David Bracci
Modelling Supervisor:
Francesca Romana de Nunzio
Music Consultant:
Cinzia Cavalieri
Original Music Composer:
Claudio Simonetti
Fabio Pignatelli
Massimo Morante
Agostino Marangolo
Producer:
Dario Argento
Production Assistant:
Francesco Beltrame
Giorgia Pellegrini
Giorgio Turletti
Production Design:
Massimo Antonello Geleng
Production Manager:
Ladislao Zanin
Gianluca Passone
Production Secretary:
Carla Alonzo
Property Master:
Giancarlo Pagani
Salvatore Manca
Public Relations:
Francesca De Michelis
Screenplay:
Carlo Lucarelli
Franco Ferrini
Dario Argento
Script Supervisor:
Fernanda Selvaggi
Seamstress:
Francesca Campanella
Second Assistant Camera:
Gina Guzy
Emanuele Leurini
Gianluca Fava
Second Assistant Director:
John Fonseca
Luca Grivet Brancot
Second Unit Director:
Marzio Casa
Set Decoration:
Francesca Bocca
Sound:
Tullio Morganti
Sound Editor:
Lilio Rosato
Sound Mixer:
Claudio Chiossi
Special Effects:
Franco Ragusa
Massimo Cristofanelli
Gastone Callori
Steadicam Operator:
Giovanni Gebbia
Still Photographer:
Franco Vitale
Story:
Dario Argento
Franco Ferrini
Stunts:
Alessandro Novelli
Unit Manager:
Riccardo Folgore
Gianluca Borelli Stracca
Video Assist Operator:
Francesco Perri
Visual Effects Coordinator:
Barbara Morosetti
Visual Effects Production Assistant:
Gabriele Magrì
Vittorio Magrì
Visual Effects Supervisor:
Sergio Stivaletti
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.