A work in constant progress (and occasional regress).
Release Date:
January 5, 2001
Original Title:
Non ho sonno
Alternate Titles:
Insônia
Nonhosonno
Sangue de Inocentes
Genres:
Horror | Mystery | Thriller
Production Companies:
Medusa Film
Opera Film (II)
Tele+
Production Countries:
Italy
Ratings / Certifications:
DE: 16 IT: VM14 US: R
Runtime: 117
An elderly and retired police detective and a young amateur sleuth team up to find a serial killer whom has resumed a killing spree in Turin, Italy after a 17-year hiatus.
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Accountant:
Erika Taloni
Maria Rita Gagliano
Actor's Assistant:
Catherine Brelet
Administration:
Marcello Lanza
Assistant Costume Designer:
Paola Ronco
Patrizia Bernardini
Assistant Director Trainee:
Riccardo Cannone
Assistant Editor:
Maria Cristina Marra
Alessandro Di Cola
Assistant Foley Artist:
Piergiorgio De Luca
Assistant Production Design:
Gloria Saya
Sabrina Dassano
Chiara Alessio
Assistant Property Master:
Flavio De Simone
Enrico Mandirola
Amaranta Flagelli
Pasquale Scognamiglio
Mauro Franco
Assistant Set Decoration:
Maria Castrovilli
BTS Videographer:
Catherine Brelet
Cedric Brelet von Sydow
Boom Operator:
Alessandro Pambianco
Camera Operator:
Roberto Brega
Casting:
Chiara Moretti
Lorella Chiapatti
Costume Design:
Susy Mattolini
Digital Compositor:
Elena Angeletti
Gabriele Zuppardo
Director:
Dario Argento
Director of Photography:
Ronnie Taylor
Driver:
Dario Di Gioia
Pietro Rutigliano
Cristiano Sergioli
Emidio Prioletta
Massimo Giovanetti
Fernando Meluzzi
Roberto De Persio
Riccardo Altobelli
Giuseppe Abatangelo
Vincenza Trentanelli
Editor:
Anna Rosa Napoli
Electrician:
Mirco Fincato
Emanuele Miroglio
Fiore Beltrame
Antonio Marchese
Gianfranco Soro
Executive Producer:
Claudio Argento
Extras Casting:
Sara Busto
First Assistant Camera:
Ezio Gamba
Alessandro Gentili
First Assistant Director:
Giulietta Revel
Foley Artist:
Alvaro Gramigna
Tullio Arcangeli
Gaffer:
Stefano Marino
Generator Operator:
Marcello Colaciello
Benvenuto Pedron
Grip:
Leandro Pagano
Saverio Moggio
Antonio Ascione
Enrico Lovato
Andrea Arnaud
Angelo Pace
Hairstylist:
Samankta Mura
Key Grip:
Enzo Pontil
Key Hair Stylist:
Massimo Gattabrusi
Key Makeup Artist:
Alfredo Marazzi
Line Producer:
Tommaso Calevi
Makeup Artist:
Graziella Tosti
Master at Arms:
Riccardo Mioni
Modeling:
David Bracci
Gabriele Zuppardo
Modelling Supervisor:
Francesca Romana de Nunzio
Music Consultant:
Cinzia Cavalieri
Original Music Composer:
Agostino Marangolo
Massimo Morante
Fabio Pignatelli
Claudio Simonetti
Producer:
Dario Argento
Production Assistant:
Giorgio Turletti
Francesco Beltrame
Giorgia Pellegrini
Production Design:
Massimo Antonello Geleng
Production Manager:
Ladislao Zanin
Gianluca Passone
Production Secretary:
Carla Alonzo
Property Master:
Giancarlo Pagani
Salvatore Manca
Public Relations:
Francesca De Michelis
Screenplay:
Carlo Lucarelli
Franco Ferrini
Dario Argento
Script Supervisor:
Fernanda Selvaggi
Seamstress:
Francesca Campanella
Second Assistant Camera:
Emanuele Leurini
Gianluca Fava
Gina Guzy
Second Assistant Director:
John Fonseca
Luca Grivet Brancot
Second Unit Director:
Marzio Casa
Set Decoration:
Francesca Bocca
Sound:
Tullio Morganti
Sound Editor:
Lilio Rosato
Sound Mixer:
Claudio Chiossi
Special Effects:
Massimo Cristofanelli
Gastone Callori
Franco Ragusa
Steadicam Operator:
Giovanni Gebbia
Still Photographer:
Franco Vitale
Story:
Dario Argento
Franco Ferrini
Stunts:
Alessandro Novelli
Unit Manager:
Riccardo Folgore
Gianluca Borelli Stracca
Video Assist Operator:
Francesco Perri
Visual Effects Coordinator:
Barbara Morosetti
Visual Effects Production Assistant:
Gabriele Magrì
Vittorio Magrì
Visual Effects Supervisor:
Sergio Stivaletti
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.