A work in constant progress (and occasional regress).
Release Date:
October 18, 1964
Original Title:
The Curse of the Mummy's Tomb
Alternate Titles:
Mumiens förbannelse
Genres:
Horror
Production Companies:
Hammer Film Productions
Production Countries:
United Kingdom
Ratings / Certifications:
DE: 16 FR: U GB: 15 IE: 12 US: NR
Runtime: 80
Those who have interfered with the Tomb of Ra-Antef are in terrible danger. Against expert advice, American showman and financial backer of the expedition, Alexander King, plans a world tour exhibiting this magnificent discovery from the ancient world but on the opening night the sarcophagus is void of its contents. The mummy has escaped to fulfill the dreadful prophesy and exact a violent and bloody revenge on all those who defiled his final resting place.
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Assistant Director:
Bert Batt
Assistant Editor:
Brian Burgess
Harry Ledger
Associate Producer:
William Hill
Camera Operator:
Bob Thompson
H. A. R. Thomson
Casting:
David Booth
Clapper Loader:
Douglas Milsome
Continuity:
Eileen Head
Director:
Michael Carreras
Director of Photography:
Otto Heller
Draughtsman:
Tony Curtis
Thomas Goswell
Editor:
Eric Boyd-Perkins
First Assistant Editor:
Harry Ledger
Focus Puller:
Maurice Arnold
Gaffer:
Steve Birtles
Hairstylist:
Iris Tilley
Makeup Artist:
Roy Ashton
Music Supervisor:
Philip Martell
Original Music Composer:
Carlo Martelli
Painter:
Michael Finlay
Producer:
Michael Carreras
Production Design:
Bernard Robinson
Production Secretary:
Rhonda Grogan
Props:
Eric Hillier
Publicist:
Alan Arnold
Screenplay:
Michael Carreras
Second Assistant Director:
Hugh Harlow
Sound Editor:
Jim Groom
Sound Recordist:
Claude Hitchcock
Special Effects:
George Blackwell
Still Photographer:
George Higgins
Stunts:
Peter Diamond
Supervising Editor:
James Needs
Technical Advisor:
Andrew Low
Wardrobe Assistant:
Betty Adamson
John Briggs
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.