A work in constant progress (and occasional regress).
Release Date:
February 11, 2016
Original Title:
El rey del Once
Alternate Titles:
El Rey del Once
Il re di Once
Genres:
Comedy | Drama
Production Companies:
BD Cine
INCAA
PASTO
Telefe
Production Countries:
Argentina
Ratings / Certifications:
BR: 12
Runtime: 82
After many years away, Ariel is summoned by his distant father to his childhood home in the bustling Jewish quarter of Buenos Aires, known as El Once. Over the course of seven days, during the vibrant holiday of Purim, Ariel seeks to reconnect with his father, who runs a Jewish charity and is regarded as a big macher in the close-knit community, but was frequently absent due to his obligation to fulfill the Jewish quorum of having 10 men present at all funerals.
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Art Direction:
Margarita Tamborino
Assistant Director:
Matias Famulari
Assistant Production Manager:
Pablo Martín Saredo
Boom Operator:
Miguel Tennina
Camera Operator:
Federico Rivarés
Co-Producer:
Alejandro Gorodisch
Axel Kuschevatzky
Alfredo Odorisio
Costume Design:
Roberta Pesci
Director:
Daniel Burman
Director of Photography:
Daniel Ortega
Editor:
Andrés Tambornino
Executive Producer:
Bárbara Francisco
Foley Artist:
Pablo Gamberg
Line Producer:
Cecilia Salim
Makeup Artist:
Mariela Hermo
Producer:
Diego Dubcovsky
Daniel Burman
Bárbara Francisco
Production Assistant:
Federico Peña
Production Director:
Delfina Montecchia
Production Manager:
Cecilia Salim
Second Assistant Camera:
Mariano Roth
Second Assistant Director:
Mariana Cavagnaro Rouge
Set Decoration:
Juan Giribaldi
Sound:
Catriel Vildosola
Sound Director:
Catriel Vildosola
Sound Editor:
Miguel Tennina
Supervising Producer:
Lucía Chavarri
Delfina Montecchia
Video Assist Operator:
Clara Ripoll
Visual Effects Editor:
Leandro Pugliese
Writer:
Daniel Burman
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.