A work in constant progress (and occasional regress).
Release Date:
August 16, 2017
Original Title:
The Hitman's Bodyguard
Alternate Titles:
Der Killer & sein Bodyguard
El Otro Guardaespaldas
Hitman
ヒットマンズ・ボディガード:2017
保鑣救殺手
杀手的保镖
Genres:
Action | Comedy
Production Companies:
Campbell Grobman Films
Cristal Pictures
Davis Films
East Light Media
Millennium Media
Nu Boyana Film Studios
Summit Entertainment
Tom de Mol Productions
Production Countries:
Bulgaria | Canada | France | Hong Kong | Netherlands | United States of America
Ratings / Certifications:
AU: MA15+ BR: 14 CH: 16 CZ: 15+ DE: 16 DK: 15 ES: 16 FR: 12 GB: 15 IE: 16 IL: הותר לבני 16 ומעלה IT: T LT: N-16 NL: 16 PL: 16 PT: M/16 RO: 15 RU: 18+ SE: 15 TW: 輔導15歲級 US: R
Runtime: 118
The world’s top bodyguard gets a new client, a hitman who must testify at the International Court of Justice. They must put their differences aside and work together to make it to the trial on time.
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ADR Editor:
Timothy Siddall
Aerial Coordinator:
Lucia Foster Found
Aerial Director of Photography:
Adam Dale
Animation:
Borislav Dimitrov
Armorer:
Tom Ralphs
Charles Bodycomb
Faujja Singh
Armory Coordinator:
Ben Rothwell
Art Department Coordinator:
Anna Hadzhieva
Art Direction:
Jan Rutgers
Arta Tozzi
Rebecca Milton
Katie Money
Paula Loos
Assistant Art Director:
Louise Lannen
Assistant Costume Designer:
Ellen Crawshaw
Camera Operator:
Neven Mihailova
Ivo Peitchev
Rolf Dekens
Kiril Valchanov
Casting:
Elaine Grainger
Mariana Stansheva
Co-Executive Producer:
Marcel de Block
Co-Producer:
William Paul Clark
Costume Design:
Stephanie Collie
Costume Supervisor:
Georgi Petrov Yakimov
Fleur Enderberg
Anna Gelinova
Beth Lewis
Dialogue Editor:
Timothy Siddall
Digital Intermediate:
Otto Rodd
Ben-Roy Turner
Isabel Zippert
Director:
Patrick Hughes
Director of Photography:
Jules O'Loughlin
Drone Operator:
Dani Rose
Editor:
Jake Roberts
Executive Producer:
Christa Campbell
Tom de Mol
Jason Bloom
Boaz Davidson
First Assistant Editor:
Alex Fenn
Foley:
Jack Stew
Sue Harding
Jason Swanscott
Foley Editor:
Kevin Penney
Gaffer:
Shawn White
Erik Van Wouden
Hristo Idakiev
Hairstylist:
Rachael Speke
Sally Crouch
Key Costumer:
Vyarka Sirkova
Key Grip:
Georgi Petkov
Ian Bird
John Connon
Key Hair Stylist:
Jacqueline Hoogendijk
Line Producer:
Mark Birmingham
Valentin Dimitrov
Makeup Department Head:
Fae Hammond
Music Editor:
John Warhurst
Music Supervisor:
Selena Arizanovic
Original Music Composer:
Atli Örvarsson
Producer:
David Ellison
Les Weldon
Production Design:
Russell De Rozario
Property Master:
Dirk Buchmann
Paul Oatway
Rigging Gaffer:
Tony Hayes
Russian Arm Operator:
Jasper Leeman
Script Supervisor:
Lizzie Pritchard
Stefania Velichkova
Second Unit Director:
Kristina Sakizli
Second Unit Director of Photography:
Alan Stewart
Lorenzo Senatore
Set Costumer:
Nadya Dobrikova
Didi Tzvetkova
Anna Filipova
Set Decoration:
Claire Nia Richards
Orlin Grozdanov
Sound Designer:
Ben Meechan
Sound Effects Editor:
Luke Gentry
Sound Re-Recording Mixer:
Dafydd Archard
Tim Cavagin
Justin M. Davey
Sound Recordist:
Sil Stranders
Special Effects Coordinator:
Elena Zhekova
Tez Palmer
Special Effects Supervisor:
Ivo Jivkov
Sam Conway
Rick Wiessenhaan
Special Effects Technician:
Ana McKillop
Jack Longmate
Standby Property Master:
Kevin Day
Steadicam Operator:
Georgi Raykov
Still Photographer:
Jack English
Stunt Coordinator:
Amy Stares
Greg Powell
Stunt Double:
Dessy Slavova
Aidan Brindle
Kiante Elam
Adam Brashaw
Venice Smith
Cali Nelle
Stunt Driver:
Ivo Vuchkov
Stunts:
Robert Eleveld
Joe Watts
Chuck Borden
Supervising Art Director:
Tim Blake
Ivan Ranghelov
Supervising Sound Editor:
Dominic Gibbs
Title Designer:
Matt Curtis
Unit Publicist:
Katherine McCormack
Visual Effects Coordinator:
Iveta Tsvetkova
Yuliya Manolova
Vanya Benelinova
Georgi Garnevski
Kiril Georgiev
Nick Peshunoff
Visual Effects Editor:
Nikolay Pachov
Daniel Ivanov
Desislava Lazarova
Visual Effects Producer:
Danail Hadzhiyski
Visual Effects Supervisor:
Veselina Georgieva
Writer:
Tom O'Connor
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.