A work in constant progress (and occasional regress).
Release Date:
May 20, 2016
Original Title:
The Call Up
Alternate Titles:
Mission virtuelle
VR ミッション25
VRミッション25
Genres:
Action | Adventure | Science Fiction
Production Companies:
Creative England
Marzipan Productions
Pont Neuf Productions
Red & Black Films
Stigma Films
Production Countries:
United Kingdom
Ratings / Certifications:
DE: 16 DK: 15 GB: 15 JP: R15+
Runtime: 90
When a group of elite online gamers each receive a mysterious invitation to trial a state-of-the-art virtual reality video game, it’s a dream come true and impossible to resist. Arriving at the test site, the group step into hi-tech gear and prepare for a revolutionary, next-level gaming experience that brings modern warfare to life with frightening realism. At first it’s a unique and exhilarating experience. But what starts out like a dream encounter with cutting edge technology quickly takes a turn for the sinister. Once the group are attacked by enemy combatants, they soon realize this is no game after all. Make a mistake here and you pay with your life. Now these masters of the shoot ‘em up will have to fight for survival within a game gone bad, but this time it’s for real.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Doug Sinclair
ADR Mixer:
Matthew Kallen
ADR Recordist:
Mirza Tahirović
Armorer:
Lee James Trueman
Art Direction:
Alex Woodward
Assistant Director Trainee:
Sophie Kenny
Boom Operator:
Robin Gerrard
Bryn Duffy
CG Artist:
Toke Jepsen
Toffee Mushawasha
Camera Loader:
Eliot Stone
Camera Operator:
James Harrison
Camera Trainee:
Mitchell Payne
Casting:
Colin Jones
Casting Associate:
Toby Spigel
Celebrity Booker
Colorist:
Tobias James Tomkins
Compositing Lead:
Cale Pugh
Compositor:
Jonathon Parker
Paul Vorsman
Anthony Williams
Samantha Day-Lewis
Costume Design:
Lindsey Archer
Costume Standby:
Kirsty Allen
Costume Supervisor:
Libby Irwin
Creative Director:
Paul Nicholas
Dialect Coach:
Eleanor Boyce
Digital Imaging Technician:
Arthur Graham-Maw
Director:
Charles Barker
Director of Photography:
Ryan William White
John Lee
Editor:
Tommy Boulding
Fight Choreographer:
Levan Doran
First Assistant Camera:
Robert Austin-Taylor
First Assistant Director:
Liam Lock
Focus Puller:
Lauren Hatchard
Jaime Medrano Jr.
Erin Currie
Foley Artist:
Julie Ankerson
Meltem Baytok Topalakci
Foley Editor:
Nathan Palmer
Foley Mixer:
Jamie Talbutt
Gaffer:
Peter Trevena
Grip:
Marcus Knight
Key Grip:
Luke Stone
Line Producer:
Victoria Goodall
Makeup Artist:
Jennifer Drew
Velina Iankova
Hannah Forbes
Makeup Designer:
Scarlett O'Connell
Music:
Tom Raybould
Producer:
Matthew James Wilkinson
John Giwa-Amu
Production Consultant:
Roopesh Parekh
Production Coordinator:
Rose Wilde
Production Design:
Richard Campling
Production Sound Mixer:
Nigel Albermaniche
Prosthetics:
Liam Doyle
Rigging Gaffer:
Peter Burgoyne
Scenic Artist:
Matt Reeves
Laura O'Connell
Rachel Denning
Script Supervisor:
Liz West
Second Assistant Director:
Nick Starr
Second Unit Director:
James Nunn
Set Decoration:
Ellie Pash
Set Dresser:
Annabelle Bevan
Sound Re-Recording Mixer:
Paul McFadden
Special Effects Makeup Artist:
Dan Martin
Special Effects Technician:
Slobodan Velickovic
Standby Art Director:
Lottie McDowell
Stunt Coordinator:
Vincent Keane
Stunts:
Cristian Knight
Stunts Coordinator:
Levan Doran
Supervising Sound Effects Editor:
Jon Salmon-Joyce
Visual Effects Coordinator:
Deborah Price
Visual Effects Producer:
Peter Rogers
Visual Effects Supervisor:
Christian Lett
Visual Effects Technical Director:
Daniel Wood
Writer:
Charles Barker
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.