A work in constant progress (and occasional regress).
Release Date:
March 20, 1974
Original Title:
ゴジラ対メカゴジラ
Alternate Titles:
Godzilla 14 - Godzilla vs. Mechagodzilla
Godzilla Vs. Bionic Monster
Godzilla Vs. Cosmic Monster
Godzilla Vs. Mechagodzilla
Godzilla contre Mechagodzilla
Godzilla gegen King Kong
Godzilla gegen Mechagodzilla
Gojira tai Mekagojira
King Kong - Monster aus der Tiefe
Mecaking contra Godzilla
Ρομπότ Εναντίον Γκοτζίλα
Genres:
Action | Adventure | Science Fiction
Production Companies:
TOHO
Toho Eizo Co.
Production Countries:
Japan
Ratings / Certifications:
DE: 12 US: G
Runtime: 84
An Okinawan prophecy that foretells the destruction of the Earth is seeming fulfilled when Godzilla emerges to return to his destructive roots. But not all is what it seems after Godzilla breaks his ally Anguirus's jaw. Matters are further complicated when a second Godzilla emerges, revealing the doppelgänger as a mechanical weapon.
Assistant Director:
Tsunesaburo Nishikawa
Director:
Jun Fukuda
Director of Photography:
Yuzuru Aizawa
Editor:
Michiko Ikeda
Lighting Technician:
Masakuni Morimoto
Lyricist:
Jun Fukuda
Original Music Composer:
Masaru Satō
Producer:
Tomoyuki Tanaka
Production Design:
Kazuo Satsuya
Production Manager:
Keisuke Shinodo
Screenplay:
Jun Fukuda
Hiroyasu Yamaura
Sound Recordist:
Fumio Yanoguchi
Still Photographer:
Kazukiyo Tanaka
Story:
Masami Fukushima
Shinichi Sekizawa
Visual Effects:
Shoji Ogawa
Tadashi Kawana
Takeshi Miyanishi
Koichi Kawakita
Visual Effects Art Director:
Hiroshi Komura
Toshiro Aoki
Visual Effects Camera:
Motoyoshi Tomioka
Takeshi Yamamoto
Visual Effects Compositor:
Takeshi Yamamoto
Visual Effects Supervisor:
Teruyoshi Nakano
Vocals:
Beru-Bera Lin
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.