A work in constant progress (and occasional regress).
Release Date:
October 2, 2010
Original Title:
Life As We Know It
Alternate Titles:
Bajo el mismo Techo
Bajo el mismo techo
Juntos pelo Acaso
La vie tout simplement
É a Vida!
Η Ζωή Όπως την Ξέρουμε
Genres:
Comedy | Drama | Romance
Production Companies:
Gold Circle Films
Josephson Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 CH: 6 CZ: 15+ DE: 6 DK: A ES: A FR: TP GB: 12A HU: 16 IE: 12A JP: PG12 NL: AL PL: 16 PT: M/12 RO: 12 RU: 12+ SK: 12 US: PG-13
Runtime: 114
After a disastrous first date for caterer Holly and network sports director Messer, all they have in common is a dislike for each other and their love for their goddaughter Sophie. But when they suddenly become all Sophie has in this world, Holly and Messer must set their differences aside. Juggling careers and social calendars, they'll have to find common ground while living under the same roof.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
John C. Stuver
Additional Editing:
Vince Filippone
Art Department Assistant:
Jenn Moye
Art Department Coordinator:
Stacie McKinnon
Art Direction:
Austin Gorg
Assistant Art Director:
Mark Hunstable
Assistant Costume Designer:
Lorraine Z. Calvert
Assistant Editor:
Dave Jackson
Assistant Sound Editor:
Philip D. Morrill
Associate Producer:
Richard J. Gelfand
Boom Operator:
Drew Ponder
Camera Operator:
Will Arnot
Joseph V. Cicio
Casting:
John Papsidera
Casting Assistant:
Dylan Jury
Casting Associate:
Jennifer Cram
Chief Lighting Technician:
Len Levine
Choreographer:
Zachary Woodlee
Co-Producer:
Brad Kessell
Alexander F. Young
Color Timer:
Lee Wimer
Construction Coordinator:
Jay Womer
Costume Design:
Debra McGuire
Costume Supervisor:
Catherine Hahn
Joseph Cigliano
Dialogue Editor:
Chris Hogan
Frederick H. Stahly
Director:
Greg Berlanti
Director of Photography:
Andrew Dunn
Editor:
Jim Page
Executive Producer:
Denise Di Novi
Joe Hartwick Jr.
Norm Waitt
Scott Niemeyer
Katherine Heigl
Nancy Heigl
Bruce Berman
First Assistant Director:
Michael Lerman
First Assistant Editor:
Matt Willard
Hair Department Head:
Lucia Mace
Hairstylist:
Sean Flanigan
Key Costumer:
Megan Wiser
Key Grip:
C. Alan Rawlins Sr.
Key Hair Stylist:
Shunika Terry
Key Makeup Artist:
Susan Ransom
Local Casting:
Marty Keener Cherrix
Location Manager:
Sam Tedesco
Makeup Artist:
Tania McComas
Makeup Department Head:
Sarah Mays
Music Editor:
Richard Ziegler
Orchestrator:
Dana Niu
Nathaniel Blume
Blake Neely
Marshall Bowen
Original Music Composer:
Blake Neely
Post Production Assistant:
Eliezer Katzoff
Bernie Gomez
Post Production Supervisor:
Christy Dimmig
Producer:
Barry Josephson
Paul Brooks
Production Accountant:
Elizabeth Tompkins
Production Coordinator:
Russell Allen
Production Design:
Maher Ahmad
Production Sound Mixer:
Mary H. Ellis
Property Master:
Kirk Corwin
Script Supervisor:
Alicia Accardo
Second Assistant Director:
Alyson Latz
Set Decoration:
Cindy Carr
Set Designer:
Everett Chase
Sound Effects Editor:
Dan Hegeman
Peter Staubli
Sound Re-Recording Mixer:
Doug Hemphill
Ron Bartlett
Special Effects Supervisor:
David Fletcher
Steadicam Operator:
Will Arnot
Still Photographer:
Peter Iovino
Stunt Coordinator:
Lonnie R. Smith Jr.
Stunt Double:
Cheyenne Ellis
Trey Greene
Stunts:
Jason Kehler
David Paul Lord
Jay Pearson
Brent Bernhard
Corinne Van Ryck de Groot
Supervising Sound Editor:
Karen Baker Landers
Transportation Coordinator:
Steve Humphrey
Unit Production Manager:
Richard J. Gelfand
Unit Publicist:
Michael Humble
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.