A work in constant progress (and occasional regress).
Release Date:
February 16, 2011
Original Title:
Big Mommas: Like Father, Like Son
Alternate Titles:
Agent XXL: Rodzinny Interes
Big Mama - Tale padre, tale figlio
Big Mamas Haus 3 - Die doppelte Portion
Big Mamma 3
Big Mamma: de père en fils
Big Momma's House 3 - Like Father, Like Son
Big Mommas - Like Father, Like Son
Big Mommas - Sådan Far, Sådan Son
Big Mommas 3 - Like Father, Like Son
Esta Abuela es un Peligro 3
Gagyi Mami - Mint két tojás
Hamekyttä 3
Vay Anam Vay 3
Vovó...Zona 3: Tal Pai, Tal Filho
Агент XXL 3: Еволюция
卧底肥妈3
绝地奶霸3
빅 마마 하우스-라이크 파더, 라이크 선
Genres:
Action | Comedy | Crime
Production Companies:
20th Century Fox
Friendly Films (II)
Friendly Films Productions
New Regency Pictures
Regency Enterprises
Runteldat Entertainment
The Collective Studios
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BR: 12 DE: 6 FR: U GB: PG HU: 18 IE: 12 JP: PG12 KZ: Б14 MX: B NL: 6 PL: 12 RO: AP SK: 12 US: PG-13
Runtime: 107
FBI agent Malcolm Turner and his 17-year-old son, Trent, go undercover at an all-girls performing arts school after Trent witnesses a murder. Posing as Big Momma and Charmaine, they must find the murderer before he finds them.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Mark Garner
Assistant Director:
William Paul Clark
Assistant Editor:
Anthony Rosc
Associate Producer:
William Paul Clark
Darice Rollins
Camera Operator:
Jeffrey Greeley
Casting:
Alexa L. Fogel
Mark Fincannon
Kim Taylor-Coleman
Characters:
Darryl Quarles
Choreographer:
Jamal Sims
Construction Coordinator:
Thomas A. Morris Jr.
Costume Design:
Leah Katznelson
Director:
John Whitesell
Director of Photography:
Anthony B. Richmond
Editor:
Priscilla Nedd-Friendly
Electrician:
David Parker
Executive Assistant:
Sean Lampkin
Executive Producer:
Jeff Kwatinetz
Martin Lawrence
Arnon Milchan
Jeremiah Samuels
Gaffer:
Russell Engels
Hair Department Head:
Camille Friend
Key Grip:
Art Bartels
Leadman:
Patrick Fuhrman
Location Casting:
Mark Fincannon
Makeup Department Head:
Beverly Jo Pryor
Music Editor:
Tom Kramer
Music Supervisor:
Dave Jordan
Jojo Villanueva
Negative Cutter:
Gary Burritt
Original Music Composer:
David Newman
Producer:
David T. Friendly
Michael Green
Production Assistant:
Carmen Matheny
Production Coordinator:
Ainslie Thomas
Production Design:
Meghan C. Rogers
Production Sound Mixer:
Whit Norris
Property Master:
Tracy Farrington
Screenplay:
Matthew Fogel
Script Supervisor:
Gail Hunter
Set Decoration:
Frank Galline
Set Designer:
Doug Fick
Justin O'Neal Miller
Sound Effects Editor:
Karen Vassar Triest
Sound Mixer:
Nerses Gezalyan
Sound Re-Recording Mixer:
Kevin O'Connell
Beau Borders
Stand In:
Michael L. Covington
Cody Rowlett
Steadicam Operator:
Rick Drapkin
Still Photographer:
John Johnson
Story:
Matthew Fogel
Don Rhymer
Stunt Coordinator:
Lonnie R. Smith Jr.
Stunts:
David Fletcher
Stan Lee Rice
Lena Fennema
Reece Fleetwood
Supervising Sound Editor:
Kelly Oxford
Unit Production Manager:
Jeremiah Samuels
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.