Paris 05:59 / Théo & Hugo (2016) [N/A]

Release Date:
April 27, 2016

Original Title:
Théo et Hugo dans le même bateau

Alternate Titles:
Paris 05:59
Paryz 5:59
Teo i Hugo
Theo & Hugo - Paris 05:59
Théo & Hugo
Théo & Hugo: Paris 05:59
Théo & Hugo: París 5:59
Théo e Hugo
Théo et Hugo dans le même bateau
Théo és Hugo
While Paris Was Sleeping
Тео и Юго в одной лодке

Genres:
Drama | Romance

Production Companies:
Ecce Films
Epicentre Films

Production Countries:
France

Ratings / Certifications:
CZ: 18+  FR: 16  HU: X  IE: 18 

Runtime: 97

Théo and Hugo meet in a club and form an immediate bond. Once the desire and elation of this first moment has passed, the two young men, now sober, wander through the empty streets of nocturnal Paris, having to confront the love they sense blossoming between them.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Assistant Director:
Maxence Germain

Assistant Editor:
Jeanne Sarfati

Boom Operator:
Jules Valeur

Casting:
Simon Frenay

Cinematography:
Manuel Marmier

Co-Producer:
Corentin Dong-Jin Sénéchal
Daniel Chabannes de Sars

Director:
Jacques Martineau
Olivier Ducastel

Editor:
Pierre Deschamps

Foley Artist:
Florian Penot

Foley Recordist:
Marion Papinot

Gaffer:
Chloé Bouhon

Graphic Designer:
Christophe Le Drean

Music:
Karelle & Kuntur
Victor Praud

Music Supervisor:
Thibault Deboaisne

Original Music Composer:
Gaël Blondet
Victor Praud
Pierre Desprats

Producer:
Emmanuel Chaumet

Production Design:
Clara Noël

Production Manager:
Diane Weber-Seban

Second Assistant Director:
Marie Lesay

Sound Editor:
Clément Badin

Sound Mixer:
Tristan Pontécaille

Sound Re-Recording Mixer:
Victor Praud

Still Photographer:
Maxence Germain

Unit Manager:
Anthony Cazet

Unit Production Manager:
Bénédicte Moufflet

Visual Effects:
Bastien Legros

Writer:
Olivier Ducastel
Jacques Martineau

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.