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Don't Call Me Son (2016) [NR]

Release Date:
July 20, 2016

Original Title:
Mãe Só Há Uma

Alternate Titles:
D'une famille à l'autre
Ikke kall meg sønn!
Madre solo hay una
Ne zovi me sine
Nie nazywaj mnie synem

Genres:
Drama

Production Companies:
Dezenove Som e Imagem
África Filmes

Production Countries:
Brazil

Ratings / Certifications:
BR: 16  US: NR 

Runtime: 82

Overview from TheMovieDB

Pierre is seventeen and in the middle of puberty. He plays in a band, has sex at parties and secretly tries on women’s clothing and lipstick in front of a mirror. Ever since his father’s death, his mother Aracy has looked after him and his younger sister Jacqueline, spoiling them both. But when he discovers that she stole him from a hospital when he was a new born baby, Pierre’s life changes dramatically. In her new film, director Anna Muylaert explores the mother-child relationship through the eyes of a rebellious son whose whole world unravels overnight.

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Production

Assistant Director:
Marcelo Caetano
Leonardo Rocha

Casting:
Patricia Faria
René Guerra

Costume Design:
Diogo Costa

Director:
Anna Muylaert

Director of Photography:
Bárbara Álvarez

Editor:
Hélio Vilela

Executive Producer:
Maria Ionescu

Makeup Artist:
Amanda Mirage

Original Music Composer:
Berna Ceppas

Producer:
Sara Silveira
Maria Ionescu
Anna Muylaert

Production Design:
Thales Junqueira

Production Manager:
Cristina Alves

Screenplay:
Anna Muylaert

Sound:
Gabriela Cunha

Sound Designer:
Miriam Biderman
Ricardo Reis

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.