A work in constant progress (and occasional regress).
Release Date:
June 17, 1970
Original Title:
On a Clear Day You Can See Forever
Alternate Titles:
L'amica delle cinque e mezza
Melinda
Num Dia Claro de Verão
俏花神
姻缘订三生
晴れた日に永遠が見える
Genres:
Comedy | Drama | Fantasy | Romance
Production Companies:
Paramount Pictures
Production Countries:
United States of America
Ratings / Certifications:
IE: G JP: G US: G
Runtime: 129
Daisy Gamble, an unusual woman who hears phones before they ring, and does wonders with her flowers, wants to quit smoking to please her fiancé, Warren. She goes to a doctor of hypnosis to do it. But once she's under, her doctor finds out that she can regress into past lives and different personalities, and he finds himself falling in love with one of them.
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Assistant Director:
William R. Poole
William McGarry
Assistant Director Trainee:
John M. Poer
Costumer:
Shirlee Strahm
Director:
Vincente Minnelli
Director of Photography:
Harry Stradling Sr.
Editor:
David Bretherton
First Assistant Director:
Burt Bluestein
Gaffer:
Maurice Gillett
Hairstylist:
Fredrick Glaser
Lyricist:
Alan Jay Lerner
Makeup Artist:
Dee Manges
Makeup Supervisor:
Harry Ray
Original Music Composer:
Nelson Riddle
Burton Lane
Producer:
Howard W. Koch
Production Design:
John DeCuir
Screenplay:
Alan Jay Lerner
Second Assistant Director:
Richard Dobson
Set Decoration:
Raphael Bretton
George James Hopkins
Songs:
Burton Lane
Sound Recordist:
Ben Winkler
Elden Ruberg
Theatre Play:
Alan Jay Lerner
Unit Production Manager:
Howard Roessel
Sergei Petschnikoff
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.