A work in constant progress (and occasional regress).
Release Date:
November 12, 2002
Original Title:
Ticker
Alternate Titles:
The Hire: Ticker
Маятник
Genres:
Action | Adventure
Production Companies:
Bayerische Motoren Werke (BMW)
RSA Films
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 10
The Driver drives a wounded diplomat, who carries a mysterious briefcase, while under helicopter attack. During the attack the briefcase is struck by a bullet, causing a display on it to begin counting down, and it to leak an unknown fluid from the bullet hole. The Driver manages to destroy his pursuers, but refuses to proceed without knowing the contents of the damaged briefcase. It is revealed that the diplomat guards a human heart for a peacekeeper, whose life is needed for the continued freedom of the people. The case is delivered, and the tyrant is forced to give up his attempt to take the country by force. The Driver leaves for another mission.
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2D Artist:
Brandon Criswell
ADR Voice Casting:
Johnny Gidcomb
Assistant Editor:
Aaron Marshall
Assistant Sound Editor:
Sonny Pettijohn
Associate Producer:
Teddy Knutson
Author:
Joe Sweet
Best Boy Electric:
Simone Perusse
Best Boy Grip:
Arnaud Peiny
Boom Operator:
Claudia Katayanagi
Camera Operator:
Peter Rosenfeld
Casting:
Mindy Marin
Co-Executive Producer:
Brian DiLorenzo
Philip Steuer
Color Assistant:
Shane Harris
Colorist:
Stefan Sonnenfeld
Skipper Martin
Costume Design:
Chris Aysta
Craft Service:
Danielle Poole
Creative Consultant:
Bruce Bildsten
Greg Hahn
David Carter
Kevin Flatt
Mark Sitley
David Lubars
Alysa Sun
Dialogue Editor:
Mary Andrews
Digital Compositor:
Carlos Morales
Director:
Joe Carnahan
Director of Photography:
Mauro Fiore
Editor:
John Gilroy
Electrician:
Mitch Hawkins
Spencer Mulcahy
Executive In Charge Of Production:
Marjie Abrahams
Executive Producer:
David Fincher
Jules Daly
Ridley Scott
Tony Scott
First Assistant Camera:
Paul Bode
Barry Berona
Emil Hampton
First Assistant Director:
Bryan Altham
Gaffer:
Michael Bauman
In Memory Of:
Joe Sweet
Key Grip:
Stuart Abramson
Key Hair Stylist:
Daniel Erdman
Key Makeup Artist:
Gina Monaci
Loader:
Ryan Brown
Location Manager:
Linda Emmons Cunningham
Lee Cranfield
Location Sound Recordist:
Andy Wiskes
Main Title Designer:
Tom Riddle
Matte Painter:
Timothy Clark
Music Score Producer:
Clint Mansell
Original Concept:
David Fincher
Original Music Composer:
Clint Mansell
Painter:
Kevin Ansel
Producer:
Leon Corcos
David Varod
Production Assistant:
Joseph F. Alexandre
Ryan Brown
Adan Galigo
Johnathon Monken
Ron Tap
Laurie Scott
Tammy Sumner
Taylor Carter
Patrick Minderler
Jerome Kahele
Mohammad Motlagh
Bradley A. Rochlitzer
Robert Torres
Jimmy Brayl
Al Whipple
Mark Parshall
Production Design:
Missy Stewart
Production Supervisor:
Jonas Dolkart
Script Supervisor:
Candy Bennici
Second Assistant Camera:
Xiomara Comrie
Dominic Aluisi
Christian Evans
Second Assistant Director:
Eddie Nichols
John A. Mmahat Jr.
Second Unit Director of Photography:
Larry Blanford
Senior Visual Effects Supervisor:
Nathan McGuinness
Set Decoration:
Dean Backer
Richard Baum
Sound Designer:
Mark Mangini
Sound Effects Editor:
Mike Chock
Special Effects:
Jefferson Zuma Jay Wagner
Special Effects Makeup Artist:
Nancie Marsalis
Storyboard Artist:
Raymond Dumas
Stunt Coordinator:
Steve Kelso
Stunt Driver:
Greg Wayne Elam
Brent Fletcher
Corey Michael Eubanks
Stunts:
Brent Fletcher
Rich Rutherford
Diamond Farnsworth
Ben Hernandez Bray
John Hateley
Jeff Sanders
Shelly Ward
Keith Splinter Davis
Mario Roberts
Charlie Brewer
Kofi Elam
Jimmy Ortega
Supervising Sound Editor:
Mark Mangini
Transportation Captain:
Jordan Edelman
Visual Effects:
Robbie Bolick
Jean-Luc Azzis
Simon Cassels
Bill Laverty
David Santiago
Jay Robinson
Matthew Merkovich
Robert Moggach
Alex G. Ortoll
Phil Brennan
Jesper Nybroe
Visual Effects Producer:
Darcie Muangman
Jeff Werner
David Hofflich
Kimberly Jacobs-Toeg
Skip Chaisson
Emma McGuinness
Visual Effects Supervisor:
Mitchell S. Drain
David Jones
Vocals:
Khosro Ansari
Writer:
Joe Carnahan
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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