A work in constant progress (and occasional regress).
Release Date:
February 7, 2018
Original Title:
Peter Rabbit
Alternate Titles:
Peter Rabbit 1
Peter Rabbit 2018
彼得兔
Genres:
Adventure | Animation | Family
Production Companies:
Animal Logic
Columbia Pictures
MRC
Olive Bridge Entertainment
Screen Australia
Screen NSW
Sony Pictures Animation
Production Countries:
Australia | United States of America
Ratings / Certifications:
AT: 8 AU: PG BR: L CZ: U DK: 7 ES: APTA FR: TP|U GB: PG GR: K HU: 12 IE: G IN: U IT: T JP: G KR: ALL NL: 6 NO: 6 PL: 12 PT: M/6 RO: AP RU: 6+ SE: 7 SK: U TW: 普遍級 US: PG
Runtime: 93
Peter Rabbit's feud with Mr. McGregor escalates to greater heights than ever before as they rival for the affections of the warm-hearted animal lover who lives next door.
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"A" Camera Operator:
Frank Flick
"B" Camera Operator:
Richard Bradshaw
Animation Director:
Rob Coleman
Assistant Director:
Xander Collier
Associate Producer:
Brian Lynch
Book:
Beatrix Potter
Dialect Coach:
Charmian Gradwell
Sally Hague
Director:
Will Gluck
Director of Photography:
Peter Menzies Jr.
Editor:
Christian Gazal
First Assistant "A" Camera:
David Elmes
Matt Windon
First Assistant "B" Camera:
Jack Mayo
David Churchyard
Gerard Maher
First Assistant Camera:
Adrien Seffrin
Rebecca Crowe
First Assistant Director:
P.J. Voeten
Lead Animator:
David Williams
Original Music Composer:
Dominic Lewis
Producer:
Zareh Nalbandian
Will Gluck
Production Design:
Simon Whiteley
Second Assistant "A" Camera:
Naomi Sharp
Ian Jackson
Simon Dunn
Second Assistant "B" Camera:
Jac Norton
Andrew Jones
Second Assistant Camera:
Inaki De Ubago
Lorena Pagés
Second Assistant Director:
Christian Otty
Zoe Liang
Second Second Assistant Director:
Danielle Blake
Second Unit First Assistant Director:
Andrew Power
Stunt Coordinator:
Lawrence Woodward
Stunt Double:
Ben Smith-Petersen
Third Assistant Director:
Christine Luby
Barney Shakespeare
Unit Production Manager:
Sara Desmond
Visual Effects:
Michael Furniss
Chris Upson
Writer:
Will Gluck
Rob Lieber
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.