A work in constant progress (and occasional regress).
Release Date:
October 8, 1975
Original Title:
La Course à l'échalote
Alternate Titles:
A hajsza
Bagarre Express
Der Tolpatsch mit dem sechsten Sinn
The Wild Goose Chase
la Course à l'échalotte
Не упускай из виду
Тримай у полі зору
Genres:
Comedy
Production Companies:
Hermes Synchron
Les Films Christian Fechner
Renn Productions
Production Countries:
France | Germany
Ratings / Certifications:
DE: 12
Runtime: 95
The whole intrigue is centered around carte-blanche documents kept in a vault. Whoever fills in the blank becomes the owner of a revue. Big money is involved. The nephew of the owner of the vault is trying to cheat his uncle and have his name in the documents. Everything is even more complicated because the manager of the bank has a finger in the pie, too. Who but a humble bank-teller (Pierre Richard) will ruin the scheme?
Assistant Camera:
François Lauliac
Michel Oguntke
Assistant Director:
Jean-Jacques Beineix
Didier Grezel
Franck Robert Houdin
Olivier Mergault
Assistant Editor:
Yvette Bastide
Françoise Clausse
Ines Colignon
Boom Operator:
Gérard Loupias
Camera Operator:
Yves Rodallec
Choreographer:
Maryse Delanoy
Costume Design:
Yvette Bonnay
Director:
Claude Zidi
Director of Photography:
Henri Decaë
Editor:
Monique Isnardon
Robert Isnardon
Executive Producer:
Pierre Grunstein
Foley Artist:
André Naudin
Gaffer:
René Limat
Key Grip:
Roger Robert
Key Hair Stylist:
Ava Monneret
Key Makeup Artist:
Louis Dor
Makeup Artist:
Jean-Marie Dor
Original Music Composer:
Vladimir Cosma
Producer:
Christian Fechner
Production Design:
Michel de Broin
Property Master:
Jacques Preisach
Script Supervisor:
Annie Maurel
Sound:
Bernard Aubouy
Sound Assistant:
Jean-Louis Ughetto
Sound Editor:
Maurice Laumain
Sound Mixer:
Jacques Maumont
Still Photographer:
Georges Pierre
Stunts:
Joëlle Baland
Jean-Pierre Renault
Unit Manager:
Patrick Zeyen
Writer:
Michel Fabre
Jean-Luc Voulfow
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.