A work in constant progress (and occasional regress).
Release Date:
August 27, 2010
Original Title:
Going the Distance
Alternate Titles:
Adoro-te... à Distância
Amor a Distancia
Amor à Distância
Salvando las distancias
Seni Uzaktan Sevmek
Trop loin pour toi
爱情远着陆
真愛零距離
真爱零距离
Genres:
Comedy | Drama | Romance
Production Companies:
New Line Cinema
Offspring Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AT: 6 AU: MA15+ BG: C CH: 6 CZ: 15+ DE: 6 FR: U GB: 15 HU: 18 IE: 15 JP: R15+ PL: 18 RO: 12 US: R
Runtime: 102
Erin and Garrett are very much in love. When Erin moves to San Francisco to finish her journalism degree and Garrett stays behind in New York to work in the music industry, they gamely keep the romance alive with webcams and frequent-flyer miles. But just when it seems the lovers will soon be reunited, they each score a big break that could separate them for good.
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"A" Camera Operator:
Jim McConkey
"B" Camera Operator:
David Knox
ADR Editor:
John C. Stuver
ADR Mixer:
Thomas J. O'Connell
Art Direction:
Peter Rogness
John Kasarda
Assistant Costume Designer:
Mickey Carleton
Best Boy Grip:
Gus Magalios
Boom Operator:
Linda Murphy
Camera Loader:
Hamilton Longyear
Casting:
Juel Bestrop
Seth Yanklewitz
Kathleen Chopin
Color Timer:
Chris Regan
Compositors:
Michael Queen
Construction Coordinator:
Glen Pangione
Costume Design:
Catherine Marie Thomas
Costume Supervisor:
Laura Downing
Dialogue Editor:
Michael Hertlein
Director:
Nanette Burstein
Director of Photography:
Eric Steelberg
Editor:
Peter Teschner
Executive Producer:
Michael Disco
Richard Brener
Dave Neustadter
First Assistant "A" Camera:
Geb Byers
First Assistant Accountant:
Mayda Renizzi-Holt
First Assistant Director:
Mark Cotone
First Assistant Editor:
Ian Blume
Nina Kawasaki
Foley Artist:
Andy Malcolm
Goro Koyama
Gaffer:
Jay Fortune
Graphic Designer:
Gary Cergol
Hairstylist:
Francesca Paris
Jamal Hammadi
Key Grip:
George Patsos
Leadman:
Ray Fisher
Makeup Artist:
Michele Paris
Debra L. Ferullo
Music Coordinator:
Libby Umstead
Music Editor:
Richard Ford
Music Supervisor:
Dana Sano
Negative Cutter:
Gary Burritt
Original Music Composer:
Mychael Danna
Producer:
Garrett Grant
Adam Shankman
Jennifer Gibgot
Production Accountant:
Ken Ryan
Production Design:
Kevin Kavanaugh
Property Master:
Jeff Butcher
Second Assistant Director:
Yumiko Takeya
Second Unit Director:
Garrett Grant
Set Decoration:
David Schlesinger
Sound Designer:
Mark Mangini
Sound Effects Editor:
Paul Aulicino
Sound Mixer:
Michael Barosky
Sound Re-Recording Mixer:
Skip Lievsay
Tim LeBlanc
Special Effects Coordinator:
Steven Kirshoff
Steadicam Operator:
Jim McConkey
Still Photographer:
Jessica Miglio
Stunt Coordinator:
Roy Farfel
Norman Douglass
Stunts:
D.J. Surgent
Caroline Vexler
Supervising ADR Editor:
Thomas Jones
Supervising Dialogue Editor:
Thomas Jones
Supervising Sound Editor:
Mike Chock
Transportation Captain:
Timothy Paustian
Unit Production Manager:
Joseph E. Iberti
Garrett Grant
Unit Publicist:
John M. Pisani
Video Assist Operator:
Nils Johnson
Writer:
Geoff LaTulippe
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.