A work in constant progress (and occasional regress).
Release Date:
May 4, 1979
Original Title:
Last Embrace
Alternate Titles:
El eslabón del Niágara
Il segno degli Hannan
Genres:
Mystery | Romance | Thriller
Production Companies:
Taylor-Wigutow Productions
United Artists
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 US: R
Runtime: 102
Secret agent Harry Hannan suffers a mental breakdown when a botched mission in Mexico results in the death of his wife. He is sent to a mental asylum, after which he eventually returns to work. But, once again, he begins to doubt his sanity when he receives a bizarre death threat written in Hebrew. Not knowing which of his colleagues wants to kill him, Hannan teams up with pretty young college student Ellie Fabian to attempt to unravel the mystery.
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Art Direction:
James A. Taylor
Associate Producer:
John Nicolella
Camera Operator:
Tom Priestley Jr.
Casting:
Scott Rudin
Director:
Jonathan Demme
Director of Photography:
Tak Fujimoto
Editor:
Barry Malkin
Extras Casting:
Sylvia Fay
First Assistant Director:
Michael Rauch
Gaffer:
William Ward
Key Grip:
Billy Miller
Makeup Artist:
Max Henriquez
Music Editor:
George Korngold
Novel:
Murray Teigh Bloom
Original Music Composer:
Miklós Rózsa
Producer:
Michael Taylor
Dan Wigutow
Production Design:
Charles Rosen
Production Manager:
John Nicolella
Property Master:
James Mazzola
Scenic Artist:
Cosmo Sorice
Script Supervisor:
Sandy McLeod
Second Assistant Director:
Steven Felder
Second Unit Director:
Evelyn Purcell
Sound Effects Editor:
Louis Cerborino
Maurice Schell
Stan Bochner
Sound Recordist:
John Fundus
Special Effects:
John Burke
Still Photographer:
Catharine Bushnell
Unit Publicist:
Gary Kalkin
Writer:
David Shaber
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.