A work in constant progress (and occasional regress).
Release Date:
March 10, 2016
Original Title:
Grüße aus Fukushima
Alternate Titles:
Fukushima mon amour
Hälsningar från Fukushima
Genres:
Drama
Production Companies:
ARTE
Constantin Film
OLGA FILM
Production Countries:
Germany
Ratings / Certifications:
AT: 12 CH: 12
Runtime: 102
A young German woman bonds with an elderly Japanese woman while touring the Fukushima region of Japan in the aftermath of the 2011 earthquake.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Christian Neff
Associate Producer:
Ruth Stadler
Commissioning Editor:
Caroline von Senden
Andreas Schreitmüller
Olaf Grunert
Costume Design:
Katharina Ost
Dialogue Editor:
Achim Hofmann
Digital Compositor:
Tim Emeis
Director:
Doris Dörrie
Director of Photography:
Hanno Lentz
Editor:
Frank J. Müller
First Assistant Director:
Karl Neubert
Foley Artist:
Andreas Schneider
Gaffer:
Michael Beitz
Line Producer:
Patrick Zorer
Music:
Ulrike Haage
Producer:
Benjamin Herrmann
Molly von Fürstenberg
Production Driver:
Leon Hellmann
Production Manager:
Patrick Zorer
Scoring Mixer:
Martin Offik
Second Assistant Camera:
Laura Gehrke
Sound Editor:
Lisa Geffcken-Reinhard
Alexander Würtz
Sound Mixer:
Giles Khan
Sound Re-Recording Mixer:
Jorge García Bastidas
Christian Bischoff
Supervising Sound Editor:
Christof Ebhardt
Title Graphics:
Matthias Brauner
Visual Effects Producer:
Katja Müller
Visual Effects Supervisor:
David Laubsch
Wardrobe Assistant:
Katja Krannich
Writer:
Doris Dörrie
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.