A work in constant progress (and occasional regress).
Featuring:
Colin Firth, Annette Bening, Meg Tilly
Written by:
Choderlos de Laclos
Jean-Claude Carrière
Milos Forman
Directed by:
Milos Forman
Release Date:
November 17, 1989
Original Title:
Valmont
Alternate Titles:
Valmont
凡尔蒙
危险关系之瓦尔蒙
最毒妇人心
Genres:
Drama | Romance
Production Companies:
Renn Productions
Timothy Burrill Productions
Production Countries:
France | United Kingdom
Ratings / Certifications:
DE: 16 FR: 12 KR: 19|15 NL: 6 PT: M/16 SE: 15 US: R
Runtime: 137
Set in Baroque France, a scheming widow and her lover make a bet regarding the corruption of a recently married woman. The lover, Valmont, bets that he can seduce her, even though she is an honorable woman. If he wins, he can have his lover to do as he will. However, in the process of seducing the married woman, Valmont falls in love.
Set in Baroque France, a scheming widow and her lover make a bet regarding the corruption of a recently married woman. The lover, Valmont, bets that he can seduce her, even though she is an honorable woman. If he wins, he can have his lover to do as he will. However, in the process of seducing the married woman, Valmont falls in love. Based on the same novel as "Dangerous Liaisons."
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Internet Movie Database | 7.0/10 |
---|---|
Rotten Tomatoes | 50% |
Metacritic | 55/100 |
Awards Won: | Nominated for 1 Oscar. 3 wins & 5 nominations total |
ADR Editor:
Deborah Wallach
Additional Second Assistant Director:
Pascal Baeumler
Isabelle Henry
Christophe Vallée
Art Direction:
Loula Morin
Albert Rajau
Martina Skala
Assistant Art Director:
Jean-Michel Ducourty
Jean-Yves Rabier
Assistant Director:
Thomas Vincent
Assistant Production Coordinator:
Clare Sauzey
Christine Duffau
Assistant Unit Manager:
Philippe Delest
Jacques Frederix
Catherine Chouridis
Eric Hubert
Boom Operator:
David Sutton
Cableman:
Jean-Marie Blondel
Camera Operator:
Geoff Brown
Jean Harnois
Jozef Ort-Šnep
Casting:
Ellen Chenoweth
Maggie Cartier
Gérard Moulévrier
Choreographer:
Ann Jacoby
Conductor:
Neville Marriner
Costume Design:
Theodor Pištěk
Paule Mangenot
Carine Sarfati
Director:
Miloš Forman
Director of Photography:
Miroslav Ondříček
Editor:
Alan Heim
Nena Danevic
First Assistant Camera:
François Lauliac
Isabelle Scala
First Assistant Director:
Olivier Horlait
Gaffer:
Jean-Claude Le Bras
Hair Supervisor:
Fabienne Bressan
Jacqueline Stuffel
Hairdresser:
Pierre Vadé
Pierre Berroyer
Hairstylist:
Marie-France Thibault
Key Grip:
René Strasser
Makeup & Hair Assistant:
Cécile Collin
Marie-France Vassel
Sophie Harvey
Makeup Artist:
Jean-Pierre Eychenne
Paul Le Marinel
Makeup Designer:
Paul LeBlanc
Music Arranger:
Christopher Palmer
Novel:
Choderlos de Laclos
Original Music Composer:
Christopher Palmer
Post Production Supervisor:
Kevin J. Foxe
Producer:
Michael Hausman
Paul Rassam
Production Accountant:
Catherine Staub
Françoise Gavalda
Production Coordinator:
Nathalie Farjon
Production Design:
Pierre Guffroy
Production Manager:
Xavier Castano
Patrick Bordier
Props:
René Donnenwirth
Marcel Laude
Screenplay:
Jean-Claude Carrière
Script Supervisor:
Suzanne Durrenberger
Second Assistant Camera:
Brigitte Barbier
Second Assistant Director:
Philippe Bérenger
Jérôme Navarro
Set Dresser:
Jacques Leguillon
Claude Suné
Sound Editor:
Richard P. Cirincione
Bruce Kitzmeyer
Kevin Lee
Harry Peck Bolles
Mark Rathaus
Ahmad Shirazi
Sound Mixer:
Chris Newman
Sound Re-Recording Mixer:
Lee Dichter
Special Effects:
Steve Crawley
Tony Donn
Patrick Hegarty
Michel Norman
Special Effects Supervisor:
Garth Inns
Still Photographer:
Jaromír Komárek
Stunt Coordinator:
Claude Carliez
Michel Carliez
Stunts:
Bernard Chabin
Frédéric Vallet
Daniel Breton
Supervising Music Editor:
John Strauss
Supervising Sound Editor:
Maurice Schell
Third Assistant Director:
Christophe Vallée
Unit Manager:
Janou Shammas
Wardrobe Coordinator:
Fabrizio Caracciolo
Wardrobe Supervisor:
Sylvie Gautrelet
Bernadette Villard
Wig Designer:
Paul LeBlanc
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.