A work in constant progress (and occasional regress).
Release Date:
March 7, 1988
Original Title:
Śmierć Johna L.
Genres:
Drama
Production Companies:
Studio Filmowe Zodiak
Production Countries:
Poland
Ratings / Certifications:
N/A
Runtime: 104
Zbigniew Gąsior, a thirty year old singer, is a youth idol. Despite fame, money and success with women he can't neglect the emptiness in his life.
Administration:
Krystyna Górniak
Zenona Kielanowska
Assistant Camera:
Eugeniusz Gawrysiak
Andrzej Pałuszyński
Zbigniew Gajzler
Tadeusz Gąsiorkiewicz
Assistant Director:
Bogdan Łoszewski
Assistant Editor:
Wanda Jankowska
Izabella Zgorzelska
Assistant Makeup Artist:
Aleksandra Musiał
Assistant Production Design:
Andrzej Bachura
Ewa Rojek
Jacek Stala
Assistant Production Manager:
Maciej Wojak
Iwona Ziulkowska-Okapiec
Dorota Sierakiewicz
Assistant Set Decoration:
Wojciech Jankowski
Józef Domański
Camera Operator:
Zdzislaw Kaczmarek
Costume Assistant:
Monika Sikorska
Anna Kornatowska
Costume Design:
Irena Włodarczyk
Director:
Tomasz Zygadło
Director of Photography:
Zdzislaw Kaczmarek
Editor:
Józef Bartczak
First Assistant Director:
Lucyna Kaminska
Zbigniew Gruz
Graphic Designer:
Elżbieta Mikulska
Makeup Artist:
Magdalena Łęcka
Beata Matuszczak
Music Consultant:
Anna Iżykowska-Mironowicz
Production Assistant:
Teresa Paszkiewicz
Zbigniew Chłopecki
Mirosław Nycz
Marek Rudnicki
Production Design:
Przemysław Lewandowski
Production Manager:
Jerzy Kajetan Frykowski
Production Secretary:
Bożenna Zimowska
Ewa Helman-Szczerbic
Production Supervisor:
Władysław Barański
Screenplay:
Tomasz Zygadło
Script Supervisor:
Dorota Grieser
Set Decoration:
Katarzyna Szczepańska
Przemysław Lewandowski
Sound:
Violetta Oktawiec
Sound Assistant:
Barbara Domaradzka
Marek Arkusiński
Marian Redlich
Sound Effects:
Zygmunt Nowak
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.