A work in constant progress (and occasional regress).
Release Date:
December 7, 2015
Original Title:
Il professor Cenerentolo
Genres:
Comedy | Romance
Production Companies:
Lotus Production
RAI Cinema
Production Countries:
Italy
Ratings / Certifications:
IT: T
Runtime: 92
Convict Umberto is allowed to work outside prison during daytime as a librarian. There he falls for a beautiful woman who mistakes him for a volunteer helping the inmates — however, like a modern-day Cinderella, every day he must leave and be back to his cell before midnight... will they manage to live happily ever after?
Art Direction:
Francesco Frigeri
Assistant Director:
Simone Spada
Boom Operator:
Marco Lazzaro
Camera Operator:
Stefano Salemme
Casting:
Roberto Bigherati
Compositors:
Valentina Biffi
Alessandro D'Arcangeli
Dafne Sartori
Costume Design:
Claudio Cordaro
Director:
Leonardo Pieraccioni
Director of Photography:
Fabrizio Lucci
Editor:
Patrizio Marone
Executive Producer:
Alessandro Calosci
Finance:
Andrea Zoso
First Assistant Camera:
Fabio Di Battista
Foley:
Mario Giacco
Hairdresser:
Italo Di Pinto
Leadman:
Valerio Barbet
Line Producer:
Paolo Luvisotti
Makeup Artist:
Francesca Rossi
Original Music Composer:
Gianluca Sibaldi
Painter:
Matteo Cecconi
Post-Production Manager:
Primo De Santis
Producer:
Marco Belardi
Production Design:
Francesco Frigeri
Screenplay:
Domenico Costanzo
Giovanni Veronesi
Leonardo Pieraccioni
Script Supervisor:
Silvana Decarli
Set Decoration:
Patrizia Alfonsi
Sound:
Roberto Sestito
Sound Editor:
Lilio Rosato
Sound Effects Editor:
Alessandro Giacco
Matteo Bendinelli
Emanuele Giacco
Sound Mix Technician:
Carmine Razzano
Special Effects:
Salvatore Napoletano
Steadicam Operator:
Stefano Salemme
Story:
Leonardo Pieraccioni
Stunt Coordinator:
Gianluca Petrazzi
Stunts:
David Zamperla
Unit Production Manager:
Mauro Maggioni
Visual Effects Producer:
Luca Saviotti
Virginia Cefaly
Visual Effects Supervisor:
Pasquale Di Viccaro
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.