A work in constant progress (and occasional regress).
Release Date:
February 11, 1959
Original Title:
Il vendicatore
Alternate Titles:
A vingança de Dubrowski
Der Rebell von Samara
Dubrovski
Dubrowsky
El vengador
I ekdikisis tou Mavrou Aetou
L'aigle noir
O Vingador
O ekdikitis tou Volga
Мститель
Genres:
Drama
Production Companies:
Hesperia Cinematografica
Vardar Film
Production Countries:
Italy | Yugoslavia
Ratings / Certifications:
FR: 12
Runtime: 108
Vladimir Dubrovsky returns from St. Petersburg to his family estate, where he finds his father dying and learns that all his lands and serfs have been fraudulently taken by the owner of a neighboring estate. Having organized a detachment of peasants who refused to obey the new owner, our hero intends to restore justice and take revenge on his offender.
Assistant Camera:
Mišo Samoilovski
Camera Operator:
Sergio Bergamini
Conductor:
Franco Ferrara
Costume Design:
Mira Glišić
Director:
William Dieterle
Director of Photography:
Ljube Petkovski
Aldo Giordani
Editor:
Roberto Cinquini
First Assistant Director:
Corrado Sofia
Stojan Culibrk
Hairstylist:
Lina Cassini
Line Producer:
Antonio Musu
Makeup Artist:
Duilio Giustini
Ivan Lalić
Novel:
Alexander Pushkin
Original Music Composer:
Carlo Rustichelli
Producer:
Luigi Rovere
Gojko Sekulovski
Production Design:
Luigi Scaccianoce
Production Manager:
Aco Petrovski
Production Secretary:
Rodolfo Martello
Screenplay:
Ákos Tolnay
Gino De Santis
Script Supervisor:
Anna Gruber
Second Assistant Director:
Miomir 'Miki' Stamenković
Kočo Nedkov
Renzo Cerrato
Sound:
Luigi Puri
Still Photographer:
Kiro Bilbilovski
Franco Civirani
Story:
Ákos Tolnay
Gino De Santis
Unit Manager:
Risto Teofilovski
Manolo Bolognini
Renato Panetuzzi
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.