A work in constant progress (and occasional regress).
Release Date:
May 5, 2005
Original Title:
Mi mejor enemigo
Alternate Titles:
Mój najlepszy wróg
Genres:
Comedy | Drama
Production Companies:
Bowen Producciones
Production Countries:
Chile
Ratings / Certifications:
N/A
Runtime: 100
After losing their bearings, a group of Chilean soldiers learns some lessons about their enemy's humanity in this dark comedy set during the 1970s war between Chile and Argentina. Digging in where they are, the troop soon discovers a nearby Argentinean platoon. Unsure how to handle the situation, the two groups start passing notes via a stray dog, and eventually achieve a wary camaraderie.
Additional Writing:
Alex Bowen
Beltrán Stingo
Oscar Godoy
Art Direction:
Verónica Astudillo
Associate Producer:
Maria Eugenia Bentsen
Camera Operator:
Raúl Heuty
Casting:
Carlos Acosta
María Inés Teyssié
Co-Producer:
Martina Gusmán
Continuity:
Gabriela Sobarzo
Costume Assistant:
Andrea Lihn
Costume Designer:
Loreto Vuskovic
Dialogue Editor:
Nadine Voullième
Director:
Alex Bowen
Director of Photography:
José María Hermo
Dolby Consultant:
Mario Faucher
Editor:
Danielle Fillios
Executive Producer:
Hugo Castro Fau
Adrián Solar
First Assistant Director:
Oscar Godoy
Focus Puller:
Victor Uribe
Foley Artist:
Roberto Espinoza
Foley Recordist:
Iván Quiroz
Makeup Artist:
Margarita Marchi
Original Music Composer:
Miguel Miranda
José Miguel Tobar
Producer:
Alex Bowen
Pablo Trapero
Production Assistant:
Romina Cardenas
Production Director:
Carolina Fuentes
Production Manager:
Nicolás Martínez Zemborain
Screenplay:
Julio Rojas
Paula del Fierro
Script Consultant:
Jorge Durán
Second Assistant Camera:
Rubén Polanski
Set Designer:
José Zambón
Sound Director:
Marcos De Aguirre
Sound Mixer:
Roberto Espinoza
David Miranda-Hardy
Still Photographer:
Juan Pablo Olave
Storyboard:
Fernando Labarca
Theme Song Performance:
Javiera Parra
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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