A work in constant progress (and occasional regress).
Release Date:
February 7, 1987
Original Title:
A Place to Call Home
Production Companies:
Big Deal
Crawford Productions
Embassy Communications
Production Countries:
Australia | United States of America
Ratings / Certifications:
N/A
Runtime: 96
Sam Gavin decides to relocate his family from Houston, Texas to a sheep station in Australia to protect his eleven children from the "destructive influences" of modern American society. Because of business obligations, he fails to join them and, more or less, abandons his wife, Liz, to the hardships of her new surroundings. Mother and children are determined to make a go of it.
Art Direction:
Sally Shepherd
Assistant Art Director:
Phil Eagles
Assistant Makeup Artist:
Fiona Smith
Boom Operator:
Chris Goldsmith
Casting:
Stephen Kolzak
Fran Kumin
Liz Mullinar
Meg Simon
Casting Assistant:
Jody Levin
Construction Manager:
Michael S. McLean
Costume Design:
Jeanie Cameron
Margot McCartney
Director:
Russ Mayberry
Director of Photography:
Ron Hagen
Editor:
Corky Ehlers
Executive In Charge Of Production:
Ken Stump
Executive Producer:
Virginia L. Carter
Linda Lavin
Marty Litke
First Assistant Camera:
Warwick Field
First Assistant Director:
Brian Giddens
Hairstylist:
Rochelle Ford
Key Grip:
Tony Hall
Location Manager:
Murray Boyd
Makeup Artist:
Nanette Marie MacCaughern
Leeanne White
Music:
Fred Karlin
Music Editor:
Chris Ledesma
Producer:
Michael Lake
Ross Matthews
Production Accountant:
Robert Threadgold
Production Coordinator:
Leonie Jansen
Property Master:
Harvey Mawson
Script Consultant:
Linda Seger
Script Supervisor:
Melinda Parkinson
Second Assistant Camera:
John Ogden
Second Assistant Director:
Hamish McSporran
Sound Mixer:
Lloyd Carrick
Special Effects Supervisor:
Conrad Rothmann
Standby Property Master:
Brian Lang
Story:
Carol Sobieski
Stunt Coordinator:
Chris Peters
Stunts:
Joe Pampanella
Supervising Producer:
Jeri Taylor
Teleplay:
Carol Sobieski
Jeri Taylor
Third Assistant Director:
Mark Bishop
Unit Production Manager:
Grant Hill
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.