A work in constant progress (and occasional regress).
Release Date:
July 15, 1994
Original Title:
True Lies
Alternate Titles:
Mentiras arriesgadas
True Lies
True Lies - Két tűz között
True Lies Wahre Luegen
真实的谎言
真實謊言
Genres:
Action | Thriller
Production Companies:
20th Century Fox
Lightstorm Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 CZ: 12+ DE: 16 ES: 18 FR: 16 GB: 15 GR: 16 IE: 15 KR: 15 NL: 16 NO: 15 PL: 16 PR: R PT: M/12 RO: 18 SE: 15 US: R
Runtime: 140
A fearless, globe-trotting, terrorist-battling secret agent has his life turned upside down when he discovers his wife might be having an affair with a used car salesman while terrorists smuggle nuclear war heads into the United States.
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ADR Editor:
Chris Jargo
Bill Voigtlander
Additional Grip:
Hugh McCallum
Additional Hairstylist:
Brenda McNally
Additional Sound Re-Recording Mixer:
R. Russell Smith
Aerial Director of Photography:
David L. Butler
Animation:
Aliza Corson Chameides
Sean Dever
Rebecca Marie
Amie Slate
Art Department Coordinator:
Teri Anne Kopp
Art Direction:
Robert W. Laing
Michael Novotny
Assistant Accountant:
Stacy Layne Kramer
Assistant Art Director:
Martin Laing
Charles Dwight Lee
Bill Rea
Assistant Camera:
Scott Hering
Assistant Costume Designer:
Chrisi Karvonides-Dushenko
Assistant Editor:
Jane Kass
Joel Negron
Shannon Leigh Olds
Caroline Ross
Clarinda Wong
Assistant Location Manager:
Patrick Burn
Assistant Property Master:
John Patteson
Amie McCarthy Winn
Glenn Forbes
Assistant Set Decoration:
Nadia Saah
Assistant Sound Editor:
Todd Egan
Rickley W. Dumm
Philip D. Morrill
Cherie Tamai
Associate Producer:
Pamela Easley
Best Boy Electric:
Robert Neville
Best Boy Grip:
Eugene B. Kerry
Boom Operator:
Nicholas R. Allen
Camera Operator:
Michael St. Hilaire
Carpenter:
Rome Duval
José Ignacio Álvarez
Casting:
Mali Finn
Ellen Jacoby
Casting Associate:
Emily Schweber
Chief Lighting Technician:
Rick A. West
Choreographer:
Lynne Hockney
Color Timer:
Dan Muscarella
Jim Passon
Conductor:
Shirley Walker
Construction Coordinator:
William Les Collins
Anthony Lattanzio
Robb W. Ward
Construction Foreman:
Chris Santini
Costume Design:
Marlene Stewart
Costume Supervisor:
Lisa Lovaas
Costumer:
Marina Marit
Data Wrangler:
Jon Aghassian
Dialogue Coach:
Peter Kelley
Dialogue Editor:
Richard Dwan Jr.
Patrick J. Foley
Digital Compositor:
Lisa Aycock
Feliciano di Giorgio
Jammie Friday
Candace Lewis
Fred Raimondi
Martine Tomczyk
Mimi Abers
Marc Rubone
Digital Effects Producer:
Teresa Cheng
Teresa Cheng
Digital Effects Supervisor:
Jacques Stroweis
Director:
James Cameron
Director of Photography:
Russell Carpenter
Dolby Consultant:
Douglas Greenfield
Dolly Grip:
Doug Chartier
Driver:
Bobby Enriquez
Editor:
Conrad Buff IV
Mark Goldblatt
Richard A. Harris
Electrician:
John L. Dardis
Executive In Charge Of Production:
Donna Smith
Executive Producer:
Lawrence Kasanoff
Rae Sanchini
Robert Shriver
Extras Casting:
Rich King
Dan Parada
Kimberly Skyrme
First Assistant Camera:
Michael Condro
Mark R. Jackson
First Assistant Director:
J. Michael Haynie
Aldric La'Auli Porter
First Assistant Sound Editor:
Robert Batha
Foley Editor:
Willy Allen
Foley Mixer:
James Ashwill
General Manager:
Scott Ross
Graphic Designer:
Thomas Conroy
Greensman:
William D. McLane
Pedro Barquin
Hairstylist:
Lucia Mace
Head of Production:
Ellen Somers
Key Costumer:
Tom Numbers
Key Grip:
Lloyd Moriarity
Key Hair Stylist:
Peter Tothpal
Key Makeup Artist:
Jay Cannistraci
Key Set Production Assistant:
Michael Salven
Leadman:
Jon Danniells
P. Scott Bailey
Loader:
Amy La Licata
Location Assistant:
Nigel Arscott
Location Manager:
Carol Flaisher
Location Scout:
Marce Sterner
Makeup Artist:
Linda Boykin-Williams
Sharon Kalb
Paula Kelly
Tania McComas
Frank Rogers
Makeup Supervisor:
Jeff Dawn
Modeling:
Gerald McClung
Music Coordinator:
Rick Fleishman
Music Editor:
Patty von Arx
Kenneth Karman
Music Supervisor:
Randy Gerston
Musician:
Armen Ksajikian
Negative Cutter:
Mary Nelson-Duerrstein
On Set Props:
Curtis Carlin
Original Music Composer:
Brad Fiedel
Painter:
Dean F. Janik
Payroll Accountant:
John R. Hansen
Pilot:
Jeff Senour
Post Production Coordinator:
Lauren Alexandra Ritchie
Post Production Supervisor:
Price Pethel
Producer:
Stephanie Austin
James Cameron
Production Accountant:
Susannah Brengel
Production Assistant:
Trish Minnich
Production Controller:
Kieran Woo
Production Coordinator:
Aaron Dem
Production Design:
Peter Lamont
Production Executive:
Aron Warner
Production Illustrator:
Tom Cranham
Production Supervisor:
Paddy Cullen
Project Manager:
Stephen Sobisky
Property Master:
Charles Stewart
Propmaker:
Mike Brooks
Peter Damien
Allen Lafferty
Butch McCarthy
Props:
Brook Yeaton
Pyrotechnic Supervisor:
David Isyomin
Joe Viskocil
Pyrotechnician:
Robert Hutchins
Emmet Kane
Rigging Grip:
Brian A. Pitts
Roto Supervisor:
Bret Mixon
Rotoscoping Artist:
Tim Scannell
Scenic Artist:
Jack Reeves
Alan S. Reynolds
Scoring Mixer:
Tim Boyle
Screenplay:
James Cameron
Didier Kaminka
Simon Michaël
Claude Zidi
Script Supervisor:
Sharron Reynolds-Enriquez
Sculptor:
Monty Shook
Leo Rijn
Second Assistant Camera:
Kirk Bloomberg
Second Assistant Director:
Marty Jedlicka
Second Second Assistant Director:
Howell Caldwell
David Ticotin
Second Unit Director:
E. J. Foerster
Glenn R. Wilder
Senior Visual Effects Supervisor:
John Bruno
Set Costumer:
Fran Allgood
Greg Hall
Set Decoration:
Cindy Carr
Set Designer:
Joseph Hodges
Set Dresser:
Paul Richards
Richard F. Anderson
Kai Blomberg
Stephen P. Durante
Ray Fisher
Jane B. Johnson
Jim C. Johnson
Eric Weiler
Set Medic:
Marie Nashold
Smoke Artist:
Raffaella Filipponi
Karen E. Goulekas
Sound:
Athonia Cappelli
Mark Ormandy
Sound Designer:
David Kneupper
Sound Editor:
Clayton Collins
Sound Effects Editor:
Bob Beher
James Beshears
Robert Garrett
Scott Martin Gershin
Craig S. Jaeger
Randy Kelley
Jay B. Richardson
Peter Michael Sullivan
Christopher Assells
Dino DiMuro
Glenn T. Morgan
Mark Lanza
Sound Engineer:
John Rotondi
Sound Mixer:
Lee Orloff
Sound Re-Recording Mixer:
Bob Beemer
Michael Minkler
Sound Recordist:
Rick Bozeat
Special Effects Assistant:
Gary L. King
Special Effects Coordinator:
Thomas L. Fisher
Special Effects Technician:
Jeanna Crawford
Stand In:
Kathleen Conway
Standby Painter:
Joseph Calta
Steadicam Operator:
J. Michael Muro
Still Photographer:
Zade Rosenthal
Storyboard:
Brent Boates
Stunt Coordinator:
Joel Kramer
Stunt Double:
Peter Kent
Stunt Driver:
John Calvin Doyle
Stunts:
Kenny Alexander
Nick Dimitri
Troy Gilbert
Glenn R. Wilder
Chuck Picerni Jr.
Charlie Picerni
Laura Albert
Lance Gilbert
Manny Perry
Steve M. Davison
John C. Meier
Bob Herron
Jimmy N. Roberts
Kenny Endoso
Lane Leavitt
Donna Keegan
Brian Smyj
Norman Howell
Supervising Animator:
Peter Farson
Supervising Music Editor:
Allan K. Rosen
Supervising Sound Editor:
Gregg Baxter
Wylie Stateman
Swing:
Sean Hood
Systems Administrators & Support:
Kevin Andrew Smith
Technical Supervisor:
Barb Meier
Title Designer:
Kyle Cooper
Trainee Production Coordinator:
Nancy Townsend
Karin Roffman
Transportation Coordinator:
Donald R. Casella
Underwater Camera:
Pete Romano
Unit Production Manager:
Scott Thaler
Patricia Whitcher
Utility Sound:
Knox White
VFX Artist:
Kevin Lingenfelser
VFX Editor:
Allen Cappuccilli
Miller Drake
VFX Production Coordinator:
Aaron Dem
Video Assist Operator:
Charles May II
Visual Effects:
Nelson Cabrera
Suzanne Smith
Visual Effects Assistant Editor:
Josh Margolies
Visual Effects Camera:
Michael Karp
Visual Effects Coordinator:
Crystal Dowd
Gil Gagnon
Lauren Alexandra Ritchie
Michele C. Vallillo
Karin Joy
Jennifer Lee Scheer
Visual Effects Editor:
Allen Cappuccilli
Visual Effects Lineup:
Renée Tymn
Visual Effects Producer:
Mike Chambers
Dan Chuba
Robin L. D'Arcy
Jenny Fulle
Julia Gibson
Leslie Huntley
Brooke Breton
Laura Buff
Visual Effects Supervisor:
Jamie Dixon
Neil Krepela
Brad Kuehn
Gene Warren Jr.
Jay Riddle
Visual Effects Technical Director:
Jason Dowdeswell
Christopher Roda
Marc Toscano
Dane Picard
Weapons Master:
Harry Lu
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.