A work in constant progress (and occasional regress).
Release Date:
August 13, 2015
Original Title:
The Art of Recovery
Genres:
Documentary
Production Companies:
Fisheye Films
Production Countries:
New Zealand
Ratings / Certifications:
N/A
Downtown has become a frontier of creativity where new ideas flourish. From raw and tragic beginnings, it has grown from a groundswell of spontaneous gap filling into a force that could redefine the shape of the future city. Projects like Gap Filler’s Dance-O-mat and Pallet Pavilion, the profusion of street art and Peter Majendie’s 185 Empty Chairs Memorial have become iconic symbols of the grassroots urban movement and provide sharp contrast to central Government’s big business, corporate driven approach to the rebuild of the city. Soon, a new city will arise, but whose city will it be, and will the creative energy that brought life to the rubble be a part of its future? The Art of Recovery documents one of the most dynamic, creative and contentious times in the history of Christchurch. It tells an uplifting story of resilience and community spirit that informs a greater conversation about how we live together, and how our we build our cities.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.