A work in constant progress (and occasional regress).
Release Date:
November 12, 1988
Original Title:
Un negre amb un saxo
Alternate Titles:
Un negro con un saxo
Genres:
Crime | Drama | Thriller
Production Companies:
CB Films
Fair Play Produccions S.A.
TVE
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 95
Héctor Barrera, former boxer and crime writer, decides to embark on a journey through the world of prostitution in Valencia and meets a variety of very characteristic characters
Assistant Editor:
Jordi Puig Martín
Assistant Production Manager:
Carles Falcó
Lucía Grau
Camera Operator:
Juan Carlos Lausín
Director:
Francesc Bellmunt
Director of Photography:
Javier Salmones
Dolby Consultant:
Tim Partridge
Editor:
Jordi Espresate
Electrician:
Enrique Bas
Silver Muñoz
Susana Cuñado
Miguel Manuel Segrelles
Toni Puertas
Executive Producer:
Maite Fontanet
First Assistant Camera:
Joan Benet
First Assistant Director:
Antoni Verdaguer
Foley Artist:
Kiku Vidal
Gaffer:
Ramon Ferre
Jesús Pelegrín
Graphic Designer:
Jordi Pallí
Perico Pastor
Hairstylist:
Vicent Gaya
Key Grip:
Charly Guerrero
Makeup Artist:
Ana Lozano
Music:
Manel Camp
Music Producer:
Joan Enric Garde
Novel:
Ferran Torrent
Painter:
Boro Comes
Production Design:
Ferran Sánchez
Josep Rosell i Palau
Production Manager:
Oriol Ferrer
Xel·la Navarro
Production Secretary:
Ramon Tello
Property Master:
Fèlix Riera
Props:
Langa
Julio Molins
Screenplay:
Francesc Bellmunt
Script Supervisor:
Fina Sensada
Seamstress:
Isabel Barrios
Katia Ribelles
Second Assistant Camera:
Francisco Teres
Second Assistant Director:
Jordi Frades
Sound:
Jaume Meléndez
Sound Mixer:
Joan Vidal
Francesc Forondona
Sound Re-Recording Mixer:
Jordi Sevillano
Still Photographer:
Antonio Rey
Lluïsa Garcia
Stunts:
Alberto Gadea
Transportation Coordinator:
JJ Fernández
Lluís Botella Pont
Wardrobe Assistant:
Luis Alfredo Durán
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.