A work in constant progress (and occasional regress).
Release Date:
January 11, 2007
Original Title:
茶舞
Alternate Titles:
Egy utolsó tánc
El baile de la muerte
El laberinto del asesino
Jogo Enganador
O Jogo da Vingança
One Last Dance
Ostatni taniec pana T
Pliromenos fonias
T - Der Profikiller
The Professional
Ultimul dans
Valzer finale per un killer
茶舞
茶舞 (血門徒)
원 라스트 댄스
Genres:
Action | Comedy | Crime | Romance
Production Companies:
Media Development Authority (MDA)
MediaCorp Raintree Pictures
Ming Productions
The Film Bund
Production Countries:
Singapore
Ratings / Certifications:
BR: 18 FR: 18 SG: M18 US: R
Runtime: 108
T is a legendary killer operating in Singapore. His victims enter his life via a small red envelope in his mailbox. T is a professional killer: calm and cold-blooded, he is capable of all the violence necessary for his job. T's life is turned upside down when an important businessman hires him to kill all the criminals involved in his son's kidnapping.
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ADR Engineer:
Alan Chong
Animal Wrangler:
Dana Brown
Art Department Coordinator:
Denise Koh
Art Direction:
Yeo Lee Nah
Assistant Art Director:
Ivan Samuel
Assistant Makeup Artist:
Renee Yeow Wanni
Associate Producer:
Jonah Greenberg
Boom Operator:
Nelson Pereira
Cinematography:
Max Makowski
Charlie Lam Chi-kin
Lai Yiu-Fai
Nick Loh
Co-Producer:
Pui-Yin Chan
Compositor:
Pakk Hui
Felix Bird
Consulting Producer:
Elos Gallo
Director:
Max Makowski
Editor:
Lawrence S. Ang
Executive Producer:
Aimee Shieh
Dalbag Khaira
Daniel Yun
San Fu Maltha
Key Makeup Artist:
Mlinda Khoo
Lead Set Dresser:
Ivan Samuel
Location Scout:
Scout Aasia
Makeup Department Head:
Decor Elaine
Music:
John Swihart
Producer:
Peter Loehr
Titus Ho
Production Assistant:
Jevin Lim
Ante Novakovic
Production Design:
Aleta Shaffer
Production Illustrator:
Mark Pacella
Property Master:
Tommy Kok Onn Chan
Screenplay:
Max Makowski
Second Assistant Camera:
Chee Meng Lau
Sound Recordist:
Alan Chong
Special Effects:
Sai Ming Chow
Raymond Chun Mo Lam
Tony Chan Hing Tung
Story:
Max Makowski
Unit Production Manager:
Jordon Winter
Writer:
Max Makowski
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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