A work in constant progress (and occasional regress).
Release Date:
November 10, 1988
Original Title:
The Dirty Dozen: The Fatal Mission
Alternate Titles:
Das dreckige Dutzend Teil IV - The Fatal Mission
Dirty Dozen 4
Dirty Dozen IV
The Dirty Dozen 4 - The Fatal Mission
Genres:
Action | Adventure | War
Production Companies:
Jadran Film
MGM/UA Television
RAI
Production Countries:
Italy | United States of America | Yugoslavia
Ratings / Certifications:
DE: 16 GB: PG
Runtime: 94
A renegade team of World War II soldiers. This time, one of the 12 is a woman and, with a Nazi spy within their midst, they're up against German wartime geniuses out to establish a Fourth Reich.
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ADR Supervisor:
Gail Clark Burch
Art Direction:
Željko Senečić
Vladimir Tadej
Assistant Editor:
Grant Hoag
Chuck Ellison
Ranko Pauković
Carmen Randic
Associate Producer:
Boris Gregorić
Camera Operator:
Ivica Rajković
Casting:
Victoria Burrows
Characters:
Lukas Heller
Nunnally Johnson
Chief Lighting Technician:
Vladimir Ruzic
Construction Manager:
Nikola Pajic
Director:
Lee H. Katzin
Director of Photography:
Tomislav Pinter
Editor:
Richard E. Rabjohn
Leon Carrere
First Assistant Director:
Jim Weatherill
Zvonimir Ilijić
Hairstylist:
Marija Valkovic
Key Grip:
Stjepan Klen
Location Manager:
Zoran Blazevic
Makeup Artist:
Boris Cavlina
Music:
John Cacavas
Music Editor:
Joe Tuley
Music Supervisor:
Richard S. Kaufman
Post Production Supervisor:
Bruce A. Pobjoy
Producer:
Mel Swope
Production Accountant:
Bill Wells
Production Coordinator:
Velinka Ficor
Property Master:
Ivo Ujevic
Script Supervisor:
Nada Pinter
Second Assistant Director:
Sergio Mimica-Gezzan
Set Dresser:
Stanislav Dobrina
Sound Mixer:
Sandy MacRae
Sound Re-Recording Mixer:
Jay M. Harding
Carlos Delarios
Aaron Rochin
Sound Supervisor:
Dwayne Avery
Special Effects Supervisor:
Martin Gutteridge
Petar Živković
Stunt Coordinator:
Petar Buntić
Transportation Captain:
Velimir Supljika
Unit Production Manager:
Boris Dmitrovic
Wardrobe Master:
Franjo Simek
Wardrobe Supervisor:
James Wakely
Writer:
Mark Rodgers
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.