A work in constant progress (and occasional regress).
Release Date:
October 26, 2016
Original Title:
Apocalypse Child
Genres:
Drama
Production Companies:
Arkeofilms
Skinny People Productions
Production Countries:
Philippines
Ratings / Certifications:
N/A
Runtime: 95
Ford, a surfing instructor from the Philippines has been told his whole life that he's the son of Francis Ford Coppola. He's wasted his youth waiting as his mother petitions the director to acknowledge Ford as his son. But as the surfing season ends, he’s forced to confront his past actions, inactions, and the stories of his life.
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Art Direction:
Tippi Sy
Assistant Camera:
Ronald Bon
Noel Lumibao
Assistant Director:
Vives Anunciacion
Assistant Editor:
Dezza Rodriguez
Pao Sancho-Dalisay
Boom Operator:
George Acebu
Co-Executive Producer:
Marti Magsanoc
Colorist:
Louise Nakpil
Director:
Mario Cornejo
Director of Photography:
Ike Avellana
Editor:
Lawrence S. Ang
Executive Producer:
Aurora Oreta
Michelle Dinglasan Tomacruz
Gaffer:
Jesse Sarmiento Tillado
Line Producer:
Maria Hilda Yaneza
Music:
Armi Millare
Music Editor:
Malek Lopez
Music Supervisor:
Armi Millare
Online Editor:
Lawrence S. Ang
Post Production Producer:
Tonee Acejo
Producer:
Monster Jimenez
Production Design:
Christina Dy
Production Manager:
Victoria Mostoles
Prosthetics:
Sylvina Lopez
Sound Designer:
Corinne de San Jose
Sound Recordist:
Anna Melissa De Dios
Visual Effects:
Keith Deligero
Writer:
Mario Cornejo
Monster Jimenez
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.