A work in constant progress (and occasional regress).
Release Date:
October 21, 2016
Original Title:
Wolves at the Door
Alternate Titles:
10050 Cielo Drive
Lobos al acecho
Lobos en la puerta
Genres:
Horror | Thriller
Production Companies:
New Line Cinema
The Safran Company
Production Countries:
United States of America
Ratings / Certifications:
GB: 15 US: R
Runtime: 73
Four friends gather at an elegant home during the Summer of Love, 1969. Unbeknownst to them, deadly visitors are waiting outside. What begins as a simple farewell party turns to a night of primal terror as the intruders stalk and torment the four, who struggle for their lives against what appears to be a senseless attack.
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Ager/Dyer:
Jason Rainey
Art Direction:
Douglas Cumming
Assistant Costume Designer:
Lisa Parmet
Assistant Property Master:
Skip Crank
Boom Operator:
Rocky Reilly
Camera Operator:
Mark La Bonge
Casting:
Rich Delia
Construction Coordinator:
Curtis Laseter
Costume Design:
Janet Ingram
Digital Intermediate:
Jeff Halsey
Director:
John R. Leonetti
Director of Photography:
Michael St. Hilaire
Dolly Grip:
Audie Aragon
Editor:
Ken Blackwell
Epk Camera Operator:
Chris Freilich
Executive Producer:
Walter Hamada
First Assistant Editor:
Eric R. Brodeur
Gaffer:
Tim Marshall
Key Grip:
Les T. Tomita
Key Makeup Artist:
Frances Ferris
Makeup Artist:
Brittania Denison
Makeup Department Head:
Stephanie Bravo
Music Editor:
Sherry Whitfield
Original Music Composer:
Toby Chu
Producer:
Peter Safran
Property Master:
Stephanie Furr
Script Supervisor:
Jan McWilliams
Set Costumer:
Samantha Dewey-Gartner
Set Decoration:
Bob Kensinger
Sound Re-Recording Mixer:
Laura Wiest
Special Effects Coordinator:
John C. Carlucci
Still Photographer:
Peter Iovino
Stunt Double:
Hannah Betts
Jessica Harbeck
Mallory Thompson
Supervising Sound Editor:
Ben Wilkins
Michael J. Benavente
Utility Stunts:
Kurt D. Lott
Visual Effects Editor:
Brooke Noska
Visual Effects Producer:
Tiffany Smith
Visual Effects Supervisor:
Arthur J. Codron
Writer:
Gary Dauberman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.