A work in constant progress (and occasional regress).
Release Date:
October 17, 2015
Original Title:
October Kiss
Alternate Titles:
Egy forró őszi csók
La nouvelle nounou
Oktobrski poljub
Sarut de octombrie
Temporarily Yours
Un beso en otoño
Una nanny muy especial
Новата бавачка
Октябрьский поцелуй
Genres:
Comedy | Romance | TV Movie
Production Companies:
Front Street Pictures
Side Street Post
Storybox Entertainment
Tempo Productions
Production Countries:
Canada | United States of America
Ratings / Certifications:
US: PG
Runtime: 84
Poppy Summerall is hired near Halloween as a temporary nanny by Ryan Lawson, a widowed, work-obsessed executive. Through a series of adventures, the eternally optimistic Poppy sets out to teach Ryan and his two young children what is important in life - unconditional love, family and the joy of everyday occurrences. Poppy and Ryan soon find they are drawn to each other. Could it become more than temporary?
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"A" Camera Operator:
Lindsay George
Dale H. Jahraus
"B" Camera Operator:
Catherine Mallette
Accountant:
Svatia Sakarova
Art Direction:
Natalie Van Hest
Assistant Costume Designer:
Ren Boggio
Assistant Editor:
Nathaniel Draper
Lisa Pham Flowers
Assistant Hairstylist:
Tara Hadden-Watts
Assistant Location Manager:
Kasha Toolsee
Assistant Makeup Artist:
Alesha Leo
Assistant Production Coordinator:
Laura Obenaus
Adrian Bojidar
Assistant Property Master:
Liz Cairns
Assistant Set Decoration:
Courtney Stockstad
Best Boy Electric:
Poya Reisi
Best Boy Grip:
Paul Human
Boom Operator:
Paul Novokshonoff
Casting:
Jackie Lind
Penny Perry
Colorist:
Jimmy Hsu
Costume Designer:
Rebekka Sorensen
Costume Set Supervisor:
Manuelita Johnson
Craft Service:
Eric Ahn
Dialogue Editor:
Stephen Cheung
Director:
Lynne Stopkewich
Director of Photography:
Adam Sliwinski
Dolly Grip:
Corey Tremblay
Editor:
Mark Shearer
Executive Producer:
Michael R. Goldstein
Extras Casting:
Doreen Ferreira
Sara Brown
Extras Casting Assistant:
Alex Mcrae
First Assistant "A" Camera:
Braden Batsford
First Assistant "B" Camera:
Emmanuelle Rousseau
First Assistant Director:
Tim Sereda
Foley Artist:
Don Harrison
Ian Mackie
Foley Recording Engineer:
Rick Senechal
Gaffer:
Tyler Walzak
Generator Operator:
Randy Rohrback
Key Grip:
Mark Hyunwoo Park
Key Hair Stylist:
Lee Novak
Key Makeup Artist:
Fern Levin
Lead Set Dresser:
Robin Tilby
Location Manager:
Michael Farias
Chris Lindgard
Music:
Jeff Tymoschuk
Music Supervisor:
Valerie Biggin
Online Editor:
Jay Harada
Kevin Reid
Shaun Lang
Payroll Accountant:
Leannie Aalgaard
Post Production Coordinator:
Sepideh Merchant
Post Production Supervisor:
Dawn Knight
Producer:
Harvey Kahn
Production Accountant:
Tania Susi
Production Controller:
Marnie Termuende
Production Coordinator:
Yale Kussin
Production Design:
Renata Couture
Production Manager:
Jamie Lake
Production Sound Mixer:
Sebastian Salm
Property Master:
Bill Ryley
Script Supervisor:
Amandine Dufraise
Second Assistant "A" Camera:
Tegan Kolodinski
Second Assistant "B" Camera:
Molly Mackinnon
Second Assistant Director:
Jane Victoria King
Set Decoration:
A. Blair Stevens
Set Dresser:
Meredith Gartin
Sound Designer:
Craig George
Sound Editor:
Angelo Nicoloyannis
Sound Re-Recording Mixer:
Tony Gort
Ryan Thompson
Special Effects Coordinator:
Darcy Davis
Still Photographer:
Bettina Strauss
Third Assistant Director:
Ryan MacInnes
Transportation Captain:
Mark Schmitke
Transportation Coordinator:
Dean Fitzpatrick
Truck Costumer:
Thea Zahorouski
Visual Effects Supervisor:
Barry Liu
Writer:
MacKenzie Austin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.