A work in constant progress (and occasional regress).
Release Date:
March 4, 1964
Original Title:
Le Journal d'une femme de chambre
Alternate Titles:
Diario de una camarera
Diary of a Chambermaid
En kammerpikes dagbok
Το Ημερολόγιο μιας Καμαριέρας
厨娘日记
어느 하녀의 일기
Genres:
Comedy | Crime | Drama
Production Companies:
Ciné-Alliance
Filmsonor
Spéva Films
Production Countries:
France | Italy
Ratings / Certifications:
AT: 12 DE: 12
Runtime: 97
Celestine has a new job as a chambermaid for the quirky M. Monteil, his wife and her father. When the father dies, Celestine decides to quit her job and leave, but when a young girl is raped and murdered, Celestine believes that the Monteils' groundskeeper, Joseph, is guilty, and stays on in order to prove it. She uses her sexuality and the promise of marriage to get Joseph to confess -- but things do not go as planned.
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Assistant Director:
Pierre Lary
Juan Luis Buñuel
Camera Operator:
Adolphe Charlet
Costume Design:
Jacqueline Moreau
Director:
Luis Buñuel
Director of Photography:
Roger Fellous
Editor:
Luis Buñuel
Louisette Hautecœur
Hairstylist:
Simone Knapp
Makeup Artist:
Maguy Vernadet
Novel:
Octave Mirbeau
Producer:
Serge Silberman
Michel Safra
Production Design:
Georges Wakhévitch
Production Manager:
Henri Baum
Ulrich Picard
Script Supervisor:
Suzanne Durrenberger
Set Dresser:
Charles Merangel
Sound:
Antoine Petitjean
Still Photographer:
Jean-Louis Castelli
Unit Manager:
André Retbi
Wardrobe Supervisor:
Jacqueline Moreau
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.