A work in constant progress (and occasional regress).
Release Date:
May 20, 2016
Original Title:
Departure
Alternate Titles:
Départ
Genres:
Drama | Family | Romance
Production Companies:
Amaro Films
BFI
Connectic Studio
Motion Group Pictures
Production Countries:
France | United Kingdom
Ratings / Certifications:
GB: 15 NL: 6
Runtime: 109
An English mother and her teenage son spend a week preparing the sale of their remote holiday house in the South of France. Fifteen-year-old Elliot struggles with his dawning sexuality and an increasing alienation from his mother, Beatrice. She in turn is confronted by the realisation that her marriage to his father, Philip, has grown loveless and the life she knows is coming to an end. When an enigmatic local teenager, Clément, quietly enters their lives, both mother and son are compelled to confront their desires and, finally, each other.
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Boom Operator:
Thomas Markwick
Casting Associate:
Valérie Gasse
Costume Design:
Holly Waddington
Director:
Andrew Steggall
Director of Photography:
Brian Fawcett
Editor:
Dounia Sichov
First Assistant Camera:
Ben Plant
First Assistant Director:
Pierre-Louis Turquet
Foley:
Rob Price
Stephen Goldsmith
Meltem Baytok Topalakci
Gaffer:
Neil Blackman
Sebastian Lamb
Hair Designer:
Stephanie Lynne Smith
Key Grip:
Julien Saffroy
Jérémie Leloup
Location Manager:
Dune Fromont
Makeup Designer:
Stephanie Lynne Smith
Music:
Jools Scott
Producer:
Cora Palfrey
Guillaume Tobo
Pietro Greppi
Production Coordinator:
Kristin Irving
Katherine Hayes
Production Manager:
Fanette Martinie
Property Master:
Pauline Reichenbach
Script Supervisor:
Gordon McCaughley
Set Decoration:
Marie-Camille Riff-Sbrugnera
Sound Designer:
Tom Drew
Sound Re-Recording Mixer:
Vincent Watts
Sound Recordist:
Michael Sinden
Steadicam Operator:
Johann Jolivet
Still Photographer:
Beniamino Barrese
Title Designer:
Hannelore Dreher
Underwater Camera:
Sergio Cesari
Visual Effects:
Alex Murray
Writer:
Andrew Steggall
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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