A work in constant progress (and occasional regress).
Release Date:
June 3, 2016
Original Title:
The Fits
Genres:
Drama
Production Companies:
Cinereach
Yes Ma'am Productions
Production Countries:
United States of America
Ratings / Certifications:
FR: TP GB: 12A US: NR
Runtime: 72
While training at the gym, 11-year-old tomboy Toni becomes entranced with a dance troupe. As she struggles to fit in, she finds herself caught up in danger as the group begins to suffer from fainting spells and other violent fits.
ADR Recordist:
Jay Fisher
Art Department Assistant:
Sean Balanger
Assistant Editor:
Tricia Torley
Associate Producer:
Marquicia Jones-Woods
Boom Operator:
Zach Mueller
Choreographer:
Chariah Jones
Mariah Jones
Cinematography:
Paul Yee
Costume Assistant:
Daniel Adan Baker
Costume Design:
Zachary Sheets
Digital Imaging Technician:
Eric Ransbottom
Digital Intermediate Colorist:
Sam Daley
Director:
Anna Rose Holmer
Editor:
Saela Davis
First Assistant Camera:
Jason Chau
First Assistant Director:
Annalise Lockhart
Foley Artist:
Zdeněk Dušek
Andrea Veselková
Foley Mixer:
Martin Jílek
Gaffer:
Hal Carlton-Ford
Graphic Designer:
Julienne Alexander
Grip:
Mark Gilkison
Hairstylist:
Billay Martin
LaDonna Ford
Key Grip:
Thomas William Vincent
Makeup Artist:
Danielle Mueller
Original Music Composer:
Danny Bensi
Saunder Jurriaans
Producer:
Lisa Kjerulff
Anna Rose Holmer
Production Design:
Charlotte Royer
Production Manager:
Ryan Sweeney
Script Supervisor:
Carlos Zozaya
Second Assistant Camera:
Eric Ransbottom
Second Assistant Director:
Jack Grimmett
Set Dresser:
Haley Wolf
Becca Schall
Sound Designer:
Chris Foster
Sound Effects Editor:
James David Redding III
Sound Mixer:
Gillian Arthur
Sound Re-Recording Mixer:
Chris Foster
Steadicam Operator:
Devon Catucci
Still Photographer:
Tayarisha Poe
Studio Teacher:
Mary Francis Ramsbottom
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.