A work in constant progress (and occasional regress).
Release Date:
August 26, 1954
Original Title:
The Black Knight
Genres:
Action | Adventure
Production Companies:
Warwick Film Productions
Production Countries:
United Kingdom
Ratings / Certifications:
AT: 12 US: NR
Runtime: 85
John, a blacksmith and swordsmith, is tutored at Camelot. As a commoner, he can't hope to win the hand of Lady Linet, daughter of the Earl of Yeoniland, so he creates a secret alternate identity as the Black Knight. In this new role, he is now able to help King Arthur when Saracens and Cornish men—disguised as Vikings -- plot to take over the country.
Art Direction:
Alex Vetchinsky
Assistant Art Director:
John Box
Assistant Director:
Phil Shipway
Associate Producer:
Phil C. Samuel
Camera Operator:
Ted Moore
Choreographer:
David Paltenghi
Conductor:
Muir Mathieson
Continuity:
Betty Harley
Costume Design:
Beatrice Dawson
Dialogue:
Bryan Forbes
Dennis O'Keefe
Director:
Tay Garnett
Director of Photography:
John Wilcox
Editor:
Gordon Pilkington
Focus Puller:
Kenneth J. Withers
Hairstylist:
Gordon Bond
Makeup Artist:
Freddie Williamson
Music:
John Addison
Other:
Joan Bridge
George Brown
Producer:
Albert R. Broccoli
Irving Allen
Production Supervisor:
Adrian D. Worker
Arthur Alcott
Publicist:
Jean Osborne
Screenplay:
Alec Coppel
Script Supervisor:
Betty Harley
Songs:
Elton Hayes
Leo Maguire
Sound Recordist:
Charles Knott
J.B. Smith
Still Photographer:
Arthur Evans
Stunt Double:
Paul Baxley
Bob Simmons
Wardrobe Supervisor:
John McCorry
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.